Daron Jones had already made a name for himself as a founding member of 112 in addition to writing for the likes of Usher, Jamie Foxx, and 112 when he released his Christmas album, Christmas in Atlanta, on November 30th, 2015. Jones opens the project with Christmas in the Air, a midtempo bop that showcases Daron’s brisk baritone.
“Baby for Christmas” is up next, and this is Jones at his best. Jones honed his slow jam writing skills while in 112, and “Baby For Christmas” doesn’t stray too far from the writing style fan have become accustomed to from Jones. I like the song because Jones avoids using auto-tune and lets his voice speak for itself. “Cold Outside” is up next, and here Daron provides his male listeners with a solid apology song if you’re ever in the dog house.
The final original song on the project is the message song “Where Would That Leave Us.” Jones taps into the true spirit in this song and focuses on the holiday’s importance. It’s a great way to close the album out, and in a perfect world, I could easily see the song in an urban Christmas play.
Jones closes out the project with covers of the Christmas standards, “Away in a Manger,” “Have Yourself a Merry Little Christmas,” “Silent Night,” and “Oh Holy Night.” Jones sings the songs well and shows off underrated piano skills. While 112 is a legendary group, all members are equally talented. If you’ve never heard of any of Daron’s solo work, Christmas in Atlanta is a great place to start.
Final Grade: B
Christmas in Atlanta is available on all streaming platforms.
R&B fans were elated this past summer when R&B legend Raphael Saadiq announced he had reunited with Tony! Toni! Toné! for a fall tour. The tour kicked off this past Thursday in Birmingham, Alabama, with twenty-five planned stops. I plan on attending the Oxon Hill, MD, stop this coming Monday.
The year was 1981, and a music legend in the making, Prince was slowly crafting his musical royalty legacy. Before releasing his fourth album, Controversy, Prince introduced the band The Time to the world with their self-titled debut album.
Walden production begins the song with an ethereal and haunting intro, setting a melancholy tone that resonates throughout the track. Mrs. Knight’s plea for love is evident as she passionately expresses her need to hold on to her partner’s affection, emphasizing the intensity of her emotions.
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