Search
Search
Daron Jones, Christmas In Atlanta
Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday :Daron Jones, Christmas In Atlanta

Daron Jones had already made a name for himself as a founding member of 112 in addition to writing for the likes of Usher, Jamie Foxx, and 112 when he released his Christmas album, Christmas in Atlanta, on November 30th, 2015. Jones opens the project with Christmas in the Air, a midtempo bop that showcases Daron’s brisk baritone.

“Baby for Christmas” is up next, and this is Jones at his best. Jones honed his slow jam writing skills while in 112, and “Baby For Christmas” doesn’t stray too far from the writing style fan have become accustomed to from Jones. I like the song because Jones avoids using auto-tune and lets his voice speak for itself. “Cold Outside” is up next, and here Daron provides his male listeners with a solid apology song if you’re ever in the dog house.

The final original song on the project is the message song “Where Would That Leave Us.” Jones taps into the true spirit in this song and focuses on the holiday’s importance. It’s a great way to close the album out, and in a perfect world, I could easily see the song in an urban Christmas play.

Jones closes out the project with covers of the Christmas standards, “Away in a Manger,” “Have Yourself a Merry Little Christmas,” “Silent Night,” and “Oh Holy Night.” Jones sings the songs well and shows off underrated piano skills. While 112 is a legendary group, all members are equally talented. If you’ve never heard of any of Daron’s solo work, Christmas in Atlanta is a great place to start.

Final Grade: B

Christmas in Atlanta is available on all streaming platforms.

Movie Clappers

More reviews to explorer

Second Listen Sunday: Tamia, Tamia

There’s no denying the exceptional talent of Canadian singer Tamia, whose voice stands out as one of the most distinctive in R&B. Her introduction to the music scene was marked by her captivating performances in two songs, the soulful ballad “You Put A Move on my Heart” and the Babyface duet “Slow Jams,” both featured on the 1995 Quincy Jones album Q’s Jook Joint. Tamia’s collaborations with Brandy, Gladys Knight, and Chaka Khan and her contribution to the legendary ballad “Missing You” further solidified her reputation as a powerhouse in the industry.

Slow Jam Saturday: IV Xample, I’d Rather Be Alone

In the 1990s, R&B music was dominated by vocal groups known for their captivating lead singers and smooth harmonies. This week, I wanted to highlight IV Xample and their single “I’d Rather Be Alone” for Slow Jam Saturday.

Second Listen Sunday: Babyface, Lovers

As an independent entertainment critic, one of my primary concerns stems from observing established figures within the music industry making factual errors during interviews or reviews. Of particular note are instances where Bobby Brown’s “Don’t Be Cruel” and Usher’s “My Way,” released in 1988 and 1997, are erroneously cited as the artists’ debut albums. It is evident to genuine music enthusiasts that such claims are inaccurate.

Facebook
Twitter
LinkedIn