An iconic Disney villainess gets a spin-off film in director Craig Gillespie’s Cruella from Walt Disney Pictures. The film focuses on the rebellious early days of the notoriously fashionable Cruella de Vil (Emma Stone), who was born under the name of Estella. The film opens in 1960’s England, where a young Estella is born, and over the film’s opening moments, it is clear that she is different from her peers. There are few moments in the film that focus on Estella as a toddler. Still, the fun for me began when 12-year-old Estella (Tipper Seifert –Cleveland) enters the scene. Without going into detail, let us just say that the young actress fully taps into tween angst.
Estella links ups up with young pickpockets Jasper and Horace through a series of events, who appreciate her appetite for mischief. Together the trio builds a life for themselves on the London streets. Cruella then cuts to 1970s London amidst the punk rock revolution and finds Estella (Emma Stone), a clever and creative girl determined to make a name for herself with her designs.
One day, Estella’s flair for style catches the eye of flash legend Baroness von Hellman (Emma Thompson). While the Baroness is devastatingly chic, she is also terrifyingly Haute. However, their relationship sets in motion a course of events and revelations that will cause Estella to embrace her nasty side and become the raucous, fashionable, and revenge-bent Cruella.
I want to point out that I have not seen One Hundred and One Dalmatians in almost thirty years. Nor did I ever read Dodie Smith’s novel The Hundred and One Dalmatians, on which the film is based. However, I have always enjoyed 1996’s John Hughes scripted and Glenn Close starring 1996 live adaptation. So the question is how does the latest addition to the Dalmatian franchise measure up?
Let us start with the good, which begins with the fabulous Emma Stone, who is excellent as Estella. I particularly enjoyed the arc that writers Dana Fox and Tony McNamara create for the character. Stone’s natural charm can elevate the material above its simplicity and is having a great time playing bad. I also loved Emma Thompson as our antagonist. Sadly, outside of Stone and Thompson, there is not much else; I enjoyed with the film.
On the one hand, I expected the film to be in the vein of The Devil Wears Prada, but the writers take it somewhere else and fail to nail the landing. I understand the dark and broody atmosphere that director Craig Gillespie was going for. Still, too often, he shifts the tone back to something light. The shifting of styles affects the overall tone of the all and causes the running time of 135 mins to feel almost like three hours. There were moments in the film where I dozed off or checked my watch.
Furthermore, the usually reliable Paul Walter Hauser is a waste as Horace as is Joel Fry. Both men do not have much to do, which is sad as both have capable acting talent. One of my favorite villain actors, Mark Strong, is also only here for a paycheck, and it shows with his performance.
While this is a Disney film, I would caution parents of younger viewers. Cruella is not a light and happy movie. While I did chuckle at some moments, there was never a hearty laugh. The potential was there for a good movie. While I will give credit for a few of the twists, in the end, Cruella is another scar on Disney’s live-action adaptations.
Final Grade C-
Cruella will release simultaneously in theaters and on Disney+ with Premier Access for a one-time additional fee on Friday, May 28
After an eight-year hiatus, cult director Eli Craig returns to the horror-comedy genre with his latest film, “Clown in a Cornfield,” from RLJE Films.
First-time director Felipe Vargas explores the consequences of forgetting one’s roots in the chilling horror film “Rosario,” produced by Highland Film Group and Muchio Mass Media. Alan Trezza wrote the screenplay, which begins with our titular character, a Mexican immigrant, receiving her first communion. After a spooky incident involving her eerie grandmother, it becomes evident that Rosario is destined to move on when she grows older.
Director Duncan Skiles taps into the buddy pic genre for his feature debut in “Neighborhood Watch” from RJLE Films. Simon (Jack Quaid) is a young man grappling with mental illness who becomes convinced that he has witnessed an abduction. When he reports it to the police, and they refuse to believe him, he reluctantly seeks the help of his neighbor Ed (Jeffrey Dean Morgan), a jaded, retired security guard with a troubled past. As the unlikely duo delves deeper into the mystery, their pursuit of the truth forces them to confront the disappearance’s dark secrets and the unspoken wounds that haunt them.
Reviews And Dunn is a unique blog showcasing all things cinema, music & theater.