The world-renowned Kennedy Center welcomed Grammy and Tony Award winner Heather Headley on Saturday, September 7th, for an evening of show-stopping hits, where The National Symphony Orchestra backed her under the conduction of Steven Reineke.
Heather Headley is currently on hiatus from her successful Netflix show “Sweet Magnolias” following her recent performance in the Broadway revival of Into the Woods. During her performance, Headley’s set list omitted her R&B material and instead showcased favorites from her illustrious stage career, featuring selections from “Aida,” “The Lion King,” and “The Color Purple.” The audience was treated to a spirited rendition of “One Night Only” from the orchestra from “Dreamgirls” before Headley graced the stage in a stunning gown.
The show kicked off with a lovely one-two punch of “Over the Rainbow” and “Can You Feel the Love Tonight,” which set the stage for an emotional rendition of “Still Hurting” from “The Last Five Years.” Following a medley of popular tunes, it was time for an intermission. The show’s second half focused on Gospel with tunes including “River Deep” and “Your Song.” One highlight of the show’s second half was the guest and first winner of “The Voice,” who easily won the crowd with his smooth vocals.
The night closed out with the tune “Make Them Hear You” from “Ragtime” and was followed by an encore of the Whitney Houston classic “I Wanna Dance with Somebody.” While some fans may have been let down not hearing Headley’s classics such as “In My Mind,” “He Is,” and “I Wish I Wasn’t,” it was clear she has a voice that can sing anything with elegance.
Final Grade: A
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.