Colin Hanks travels to “The Great White North” to pay tribute to one of their comedic legends in his third directorial effort, “John Candy: I Like Me,” which will be available on Prime Video. Canadian actor Ryan Reynolds joins Candy’s widow and children as producers of the documentary.
When Mr. Candy passed away, I was twelve years old, and I remember reading an article about his upcoming film, “Wagons East,” in a copy of Entertainment Weekly. On my way to school that day, I told my classmates that John Candy had died, but no one believed me until a teacher confirmed it. That said, since I’ve become an adult and actually learning the genesis of comedy, losing Mr. Candy is still a loss felt thirty-one years later.
Hanks begins the documentary with footage from Candy’s funeral, and instantly, tears start to form. We then follow a traditional narrative route, exploring Candy’s early life and his rise to stardom as a member of SCTV. The documentary features engaging stories from former coworkers, including Martin Short, Catherine O’Hara, and Eugene Levy.
As it transitions into Candy’s Hollywood work, we hear stories from Tom Hanks, Steve Martin, and Macaulay Culkin. Martin shares a memorable anecdote about Candy’s dramatic monologue from “Planes, Trains & Automobiles,” while Culkin highlights Candy’s fierce protective nature during their time working together. As the documentary races toward its conclusion, which covers Candy’s ultimate passing, we learn some intriguing tidbits that were refreshing and enlightening.
For the most part, I was thoroughly engaged throughout the runtime. Hanks keeps the documentary straightforward, lasting a tight ninety-five minutes. However, I would have appreciated a deeper dive into some of Candy’s unrealized projects and his influence on Chris Farley. Nevertheless, “John Candy: I Like Me” effortlessly pays tribute to a talent gone too soon.
Final Grade: B+
“John Candy: I Like Me” is available to stream on Friday, October 10th, on Prime Video.
Earlier this week, fans were excited when the trailer for Netflix’s upcoming sequel series, “A Different World”, was released. In response, I thought it would be fitting to pay tribute to Jasmine Guy’s self-titled album from 1990 for this week’s Second Listen Sunday.
Some jobs in music are difficult, but being asked to replace Smokey Robinson is another. When Robinson stepped away from The Miracles in the early seventies, Billy Griffin inherited a microphone attached to one of Motown’s most recognizable voices.
When I reflect on the summer of 1998, I was preparing for my junior year, while R&B seemed to be at a crossroads. Brandy and Monica were dominating the youth market with their blockbuster sophomore albums, while established male singers like Luther Vandross and Gerald Levert were comfortably settling into Urban AC.