Colin Hanks travels to “The Great White North” to pay tribute to one of their comedic legends in his third directorial effort, “John Candy: I Like Me,” which will be available on Prime Video. Canadian actor Ryan Reynolds joins Candy’s widow and children as producers of the documentary.
When Mr. Candy passed away, I was twelve years old, and I remember reading an article about his upcoming film, “Wagons East,” in a copy of Entertainment Weekly. On my way to school that day, I told my classmates that John Candy had died, but no one believed me until a teacher confirmed it. That said, since I’ve become an adult and actually learning the genesis of comedy, losing Mr. Candy is still a loss felt thirty-one years later.
Hanks begins the documentary with footage from Candy’s funeral, and instantly, tears start to form. We then follow a traditional narrative route, exploring Candy’s early life and his rise to stardom as a member of SCTV. The documentary features engaging stories from former coworkers, including Martin Short, Catherine O’Hara, and Eugene Levy.
As it transitions into Candy’s Hollywood work, we hear stories from Tom Hanks, Steve Martin, and Macaulay Culkin. Martin shares a memorable anecdote about Candy’s dramatic monologue from “Planes, Trains & Automobiles,” while Culkin highlights Candy’s fierce protective nature during their time working together. As the documentary races toward its conclusion, which covers Candy’s ultimate passing, we learn some intriguing tidbits that were refreshing and enlightening.
For the most part, I was thoroughly engaged throughout the runtime. Hanks keeps the documentary straightforward, lasting a tight ninety-five minutes. However, I would have appreciated a deeper dive into some of Candy’s unrealized projects and his influence on Chris Farley. Nevertheless, “John Candy: I Like Me” effortlessly pays tribute to a talent gone too soon.
Final Grade: B+
“John Candy: I Like Me” is available to stream on Friday, October 10th, on Prime Video.
As a longtime music enthusiast, I’ve often wondered how quickly record labels expect lead singers from groups to release solo albums. This question came to mind recently when my iPod played “So You Like What You See” by Samuelle. Listening to the song, I realized he would be a great choice for this week’s Second Listen Sunday.
You know the voice. The moment Michael Marshall starts singing the hook in Luniz’s “I Got 5 on It,” anyone who grew up in the nineties knows exactly what time it is. However, nearly a decade before that 1995 hip-hop classic, Marshall was already responsible for another instantly recognizable vocal.
There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.