Streaming giant Netflix gives the popular dystopian young adult novel “Uglies” an adaptation. McG directs the film from a script by Jacob Forman, Vanessa Taylor, and Whit Anderson based on the same-titled book by Scott Westerfeld.
Tally (Joey King) lives in a society where turning 16 means undergoing surgery to remove all imperfections and become “Pretty.” She looks forward to this transformation, hoping for a life of beauty and happiness. However, her outlook changes when she meets Shay (Kelly Gale), a 15-year-old with a different perspective on beauty and identity.
Unlike Tally, Shay is ambivalent about becoming Pretty and intends to escape to the Rusty Ruins—a sanctuary for those who reject societal norms surrounding physical appearance. Despite Shay’s propositions, Tally remains resolute in her pursuit of perfection, unwilling to relinquish her dreams for an uncertain future. Her plans take an unexpected turn when she finds herself interrogated on her birthday, which results in her involuntary arrival at the Ruins.
Dr. Cable, portrayed by Laverne Cox, confronts Tally with a heart-wrenching ultimatum: she must either locate her friend Shay and betray her, or relinquish the opportunity to undergo the transformation and become pretty together. Upon her encounter with the enigmatic leader David, played by Keith Powers, in the Ruins, Tally’s decision holds the power to profoundly reshape her reality..
Given my current age, I do not belong to the target audience for a film such as “Uglies,” I was previously unaware that it was based on a book. Initially, I acknowledge the merit of Westerfeld’s thought-provoking concept, which delves into beauty, identity, and conformity themes. The adept world-building skillfully constructs a society fixated on physical appearance, compelling audience members to scrutinize prevailing societal beauty standards.
However, like most YA adaptions set in a dystopian future, the execution feels somewhat formulaic. The characters, including Tally, often need more depth, and some motivations can seem superficial. The plot, including the ending, is predictable, following a trajectory seen in many dystopian novels, where the protagonist rebels against a conformist society. Additionally, some dialogue comes off as clichéd, occasionally detracting from the story’s overall impact.
The acting screams low budget, and the only one that kept me engaged was Keith Powers, despite his arc having questionable motives. Joey King is going through the motions, and Laverne Cox comes off as clichéd. While younger viewers grappling with identity issues may enjoy the film, older viewers may want more substance.
Final Grade: D+
“Uglies” is available to stream tomorrow on Netflix.
Whether it’s the loss of a celebrity you grew up with or a daily dumb remark from our current commander-in-chief, three months in 2025 are already getting crazy. So, for this week’s Slow Jam Saturday, I decided to change it up and offer something inspirational like Mariah Carey and her 2006 hit “Fly Like A Bird.”
Music video director David Yarovesky brings together Bill Skarsgård and two-time Academy winner Anthony Hopkins for his third feature film, “Locked” from the Avenue. Horror icon Sam Raimi produces the film, while Michael Arlen Ross pens the film’s screenplay.
Multi-talented entertainer Teyana Taylor recently made some headlines when photos of her and possible new boo thang Aaron “That’s Mufasa” Pierre began making headlines. I was deciding what to feature this week for Second Listen Sunday. Recently, Ms. Taylor has been stacking up her credentials from an acting standpoint, but I decided to feature her 2015 EP, “The Cassette Tape 1994,” this week.