Streaming giant Netflix gives the popular dystopian young adult novel “Uglies” an adaptation. McG directs the film from a script by Jacob Forman, Vanessa Taylor, and Whit Anderson based on the same-titled book by Scott Westerfeld.
Tally (Joey King) lives in a society where turning 16 means undergoing surgery to remove all imperfections and become “Pretty.” She looks forward to this transformation, hoping for a life of beauty and happiness. However, her outlook changes when she meets Shay (Kelly Gale), a 15-year-old with a different perspective on beauty and identity.
Unlike Tally, Shay is ambivalent about becoming Pretty and intends to escape to the Rusty Ruins—a sanctuary for those who reject societal norms surrounding physical appearance. Despite Shay’s propositions, Tally remains resolute in her pursuit of perfection, unwilling to relinquish her dreams for an uncertain future. Her plans take an unexpected turn when she finds herself interrogated on her birthday, which results in her involuntary arrival at the Ruins.
Dr. Cable, portrayed by Laverne Cox, confronts Tally with a heart-wrenching ultimatum: she must either locate her friend Shay and betray her, or relinquish the opportunity to undergo the transformation and become pretty together. Upon her encounter with the enigmatic leader David, played by Keith Powers, in the Ruins, Tally’s decision holds the power to profoundly reshape her reality..
Given my current age, I do not belong to the target audience for a film such as “Uglies,” I was previously unaware that it was based on a book. Initially, I acknowledge the merit of Westerfeld’s thought-provoking concept, which delves into beauty, identity, and conformity themes. The adept world-building skillfully constructs a society fixated on physical appearance, compelling audience members to scrutinize prevailing societal beauty standards.
However, like most YA adaptions set in a dystopian future, the execution feels somewhat formulaic. The characters, including Tally, often need more depth, and some motivations can seem superficial. The plot, including the ending, is predictable, following a trajectory seen in many dystopian novels, where the protagonist rebels against a conformist society. Additionally, some dialogue comes off as clichéd, occasionally detracting from the story’s overall impact.
The acting screams low budget, and the only one that kept me engaged was Keith Powers, despite his arc having questionable motives. Joey King is going through the motions, and Laverne Cox comes off as clichéd. While younger viewers grappling with identity issues may enjoy the film, older viewers may want more substance.
Final Grade: D+
“Uglies” is available to stream tomorrow on Netflix.
Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
One of my most significant decisions late last year was to pledge to Iota Phi Theta Fraternity, Inc. At the time of this writing, I am in Atlantic City for my fraternity’s Regional Conference, where I will represent my chapter, Beta Alpha Omega. In that regard, I believe the perfect song for this week’s Slow Jam Saturday is “The Best Man I Can Be.”