“Reality Check”: Inside “America’s Next Top Model” review – Revisiting the drama, judges, and viral moments
There was a time when “America’s Next Top Model” was a must-watch for me. While stationed overseas in the Air Force, Armed Forces Network (AFN) became my weekly connection to home, and ANTM was an essential part of that routine
Season 4 of “The Lincoln Lawyer” delivers twists, depth, and a compelling case
Manuel Garcia-Rulfo reprises his role as the skilled attorney Mickey Haller in the fourth season of “The Lincoln Lawyer” on Netflix.
A sweet date night watch: “Is It Cake”? celebrates Valentine’s Day
Comedian Mikey Day reunites with Netflix for a special episode of the hit show “Is It Cake.” Following the success of the Christmas episode, it makes sense that Netflix would produce a Valentine’s Day-themed installment.
“Mike Epps and Family Deliver a Fitting Farewell in The Upshaws Final Season”
The final season of Netflix’s “The Upshaws” has arrived, welcoming back the patriarch, Bennie Upshaw (played by Mike Epps), and his family as they navigate life in the Hoosier state.
Sun-Kissed and Predictable: “People We Meet on Vacation Delivers Pure Rom-Com Comfort”
Netflix has enlisted director Brett Haley and screenwriters Yulin Kuang, Amos Vernon, and Nunzio Randazzo for the adaptation of Emily Henry’s bestselling novel “People We Meet on Vacation.”
Hayman and Kier Face Off in the Hauntingly Ambiguous “My Neighbor Adolf”
Director Leon Prudovsky’s latest film, My Neighbor Adolf, from Cohen Media Group, arrives with a premise that demands precision: set in Colombia shortly after Israel’s capture of Adolf Eichmann in 1960, the film centers on Mr. Polsky (David Hayman), a cantankerous Polish Holocaust survivor living in isolated rural exile. He tends his rose garden, plays solitary chess, and carries the weight of unspeakable loss.
Tessa Thompson and Jon Bernthal Ignite Netflix’s Twisty “His & Hers”
Netflix’s new psychological thriller, “His & Hers”, immerses us in the oppressive heat of Georgia, where former news anchor Anna (Tessa Thompson) has retreated into near-total isolation in Atlanta, allowing her career and friendships to deteriorate. However, a report of a murder in the sleepy town of Dahlonega—where she grew up—snaps her back to reality.
‘Cover-Up’ review: Seymour Hersh and the long war against official silence
In the new Netflix documentary “Cover-Up,” Seymour Hersh’s career unfolds not as a triumphant victory lap but as a long-standing record of resistance against power, institutional silence, and the convenient amnesia that often passes for history.
‘Goodbye June’ review: Kate Winslet’s directorial debut explores family, grief and Christmas
Two weeks before Christmas, June (Helen Mirren) collapses at her kitchen counter, the kettle still warming, the day already lost. At the hospital, the verdict is swift and unsparing: the cancer has advanced beyond intervention, and time has narrowed to a matter of days
A sinfully good threequel: “Wake Up Dead Man” justifies its own existence
“Wake Up Dead Man” marks the third entry in Rian Johnson’s “Knives Out” saga, an expansion that feels almost accidental. The first film was a sharp, self-contained mystery—a clever modern riff that didn’t necessarily call for sequels.
Opening the Vault: “The New Yorker” at 100 Reveals its secrets
For nearly a century, The New Yorker has been like that cool, enigmatic kid in the corner—impeccably dressed and soft-spoken but always wielding the sharpest pen in the room.
Shih-Ching Tsou’s “Left-Handed Girl” finds poetry in the everyday
Shih-Ching Tsou, long recognized as Sean Baker’s creative partner on films like “Take Out”, “Starlet”, and the iPhone-shot sensation “Tangerine”, takes center stage with her own project, Netflix’s “Left-Handed Girl”.