“Sisu”: road to revenge delivers brutal mayhem and a mythic hero
Finnish filmmaker Jalmari Helander returns to the blood-soaked frontier he established in the surprise cult hit “Sisu”, and this time, he brings even more firepower, fury, and ferocity.
Brendan Fraser finds heart and humanity in Tokyo in the highly enjoyable “Rental Family”
Academy Award Winner Brendan Fraser teams up with director Hikari for the heartwarming film “Rental Family” from Searchlight Pictures. Hikari also co-writes the script with Stephen Blahut.
“Trap House” turns revenge into family business
This gripping setup feels authentic rather than stylized, and Dowse, who gained experience directing character-driven comedies before moving on to darker themes, keeps the camera grounded. This is not glossy action; it has the raw feel of gunpowder and regret.
“Sarah’s Oil” strikes gold — a heartfelt biopic that unearths black history’s hidden gem
The film draws inspiration from the incredible true story of Sarah Rector, a spirited African American girl brought to life by Naya Desir-Johnson. Set against the backdrop of the early 1900s in the Oklahoma Indian Territory, Sarah holds an unwavering belief that beneath the seemingly barren land she has been allotted lies an untapped oil reservoir.
“Violent Ends”, southern blood, slow burn, and the price of payback
The revenge film has retained a familiar essence for decades, characterized by themes of blood, betrayal, and inevitable payback. However, “Violent Ends,” written and directed by John-Michael Powell and produced by IFC, takes a different approach by avoiding the rush into violence.
Vegas Vengeance Misfires in “The Wrecker”
Meanwhile, in Sin City, Tony Minetti (Niko Foster), a dishonorably discharged ex-Marine turned high-end car mechanic, is building a quiet life as he raises his two young daughters and juggles a romance with a waitress named Cheryl (Mena Suvari). However, when his reckless brother Bobby (Chad Michael Collins) crosses the powerful crime boss, Tony is dragged back into a world of violence
“Jonesing: When Love Is a Habit” is a successful take on modern black love
Similar to other black romance classics, music plays a significant role in the film. In addition to highlighting some of the cast members who feature on the soundtrack, King allows them to showcase their musical talents, while also incorporating a few R&B classics that tie into his narrative.
“After the Hunt” misses its mark despite star power
Set on the campus of Harvard, the film follows college professor Alma Imhoff (played by Julia Roberts) as she strives to secure tenure. Well-liked by her students, Alma goes the extra mile to support those she believes can make a significant impact in the world.
Director Bill Condon and Jennifer Lopez spin a fresh web with “Kiss of the Spider Woman”
After a five-year hiatus, director Bill Condon returns to the musical genre with an adaptation of the stage musical “Kiss of the Spider Woman,” produced by Lionsgate, Roadside Attractions, and LD Entertainment.
“Coyotes” howls but rarely bites
Music video director Colin Minihand ventures into the horror genre with his latest feature, “Coyotes,” from Aura Entertainment.
June Squibb shines in director Scarlett Johansson’s “Eleanor the Great”
Oscar winner and former Marvel heroine Scarlett Johansson adds director to her filmography with her debut film, “Eleanor the Great,” produced by Sony Pictures Classics.
“Dead of Winter” offers chills without thrills
Two-time Oscar winner Dame Emma Thompson delves into the action-thriller genre alongside director Brian Kirk in “Dead of Winter,” produced by Vertical. Nicholas Jacobson-Larson and Dalton Leeb wrote the screenplay.