Search

Your Mother Your Mother Your Mother” Review: Mahershala Ali Brings Heart and Fury to a Story of Fatherhood

Emerging writer-director Bassam Tariq teams up with two-time Academy Award winner Mahershala Ali for his latest feature, “Your Mother Your Mother Your Mother,” from Orion Pictures and Amazon MGM Studios. Ali portrays Latif, a devoutly religious hitman who struggles to balance work, faith, and fatherhood. Following the death of his wife, he becomes the sole protector and provider for his newborn daughter, Fathia (Adia), and son, Qadir (Jahleel Kamara).

“Lion Fist” Review: A Throwback Martial Arts Tale With Plenty of Fight Left

Among the most enduring staples of eighties action cinema were the underdog story and the martial arts movie. Following the success of films such as 1984’s “The Karate Kid,” filmmakers found countless ways to combine the two: introduce a hero with something to prove, give him a mentor, put an obstacle in his way, and let the fights do the rest.

“Colony” Review: Yeon Sang-ho Finds Fresh Blood in Familiar Zombie Territory

Horror director Yeon Sang-ho returns to the world of Korean zombies with his latest film, “Colony”, released by Well Go USA. Co-writing the screenplay with Choi Gyu-seok, Yeon explores familiar genre territory while avoiding the typical outbreak formula. Instead, “Colony” introduces an intriguing twist to the infected mythology and delivers the intense, blood-soaked spectacle audiences expect from the filmmaker.

“Coyote vs. Acme” Review: Wile E. Coyote Finally Justice

Director Dave Green continues to carve out a comfortable niche for himself in family-friendly entertainment with his third feature, “Coyote vs. Acme”, from Ketchup Entertainment. Samy Burch pens the screenplay from a story she crafted alongside James Gunn and Jeremy Slater.

“Feed” Movie Review: Irish Vampire Folklore Can’t Fully Sink Its Teeth In

Saban Films “Feed “has the makings of a horror film that could leave a mark, but it too often rushes past the very ideas that make it interesting. Writer-director Marco Van Belle combines grief with Irish vampire folklore, creating a monster whose most frightening weapon is not simply bloodlust but the possibility of giving a grieving woman exactly what she wants. That is a terrific foundation. The film just does not dig deeply enough into it.