Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe Review — A Winning Entry for Newcomers and Fans
I’ll be upfront—”Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe” is my first real entry into this corner of the Gundam universe—no deep knowledge of Char’s Rebellion or the legacy surrounding Hathaway Noa. And yet, twelve years after those events, director Shukou Murase and writer Yasuyuki Muto deliver a film that proves you don’t need a full history lesson to get invested.
M.I.A. Review: Miami Heat, Family Blood, and a Queen Pin Story Worth Watching
I’ll be upfront—”Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe” is my first real entry into this corner of the Gundam universe—no deep knowledge of Char’s Rebellion or the legacy surrounding Hathaway Noa. And yet, twelve years after those events, director Shukou Murase and writer Yasuyuki Muto deliver a film that proves you don’t need a full history lesson to get invested.
Mortal Kombat II Review: Fan Service, Fatalities, and Johnny Cage
Director Simon McQuoid returns to Earthrealm with “Mortal Kombat II”, Warner Bros. Pictures’ sequel to the 2021 reboot. Written by Jeremy Slater, the film opens with a young Kitana (Sophia Xu) witnessing her father’s death at the hands of Shao Kahn (Martyn Ford).
One Spoon of Chocolate Review: RZA Directs an Engaging Slow-Burn Revenge Story
Hip-hop icon RZA returns to the action genre with his fourth directorial effort, “One Spoon of Chocolate,” produced by 36 Cinema.
Deep Water Review: Strong Crash, Weak Bite as Renny Harlin’s Shark Thriller Sinks
The film opens with the flight crew of Northeastern Airlines enjoying a night off before their flight from Los Angeles to Shanghai, China. The crew includes Captain Richard (Ben Kingsley) and First Officer Ben (Aaron Eckhart). Richard is clearly the life of the party, grabbing the mic for karaoke and owning the room. At the same time, Ben carries a quieter energy, hinting at personal issues simmering beneath the surface.
Over Your Dead Body Review: Jason Segel, Samara Weaving Shine in IFC’s Dark Comedy Thriller Remake
Jorma Taccone shifts genres for his third directorial effort, “Over Your Dead Body,” from IFC Films. Nick Kocher and Brian McElhaney pen the film’s screenplay, a remake of the 2001 Norwegian film “The Trip”.
Desert Warrior Review: A Visually Stunning Epic That Takes Too Long to Ignite
Set in seventh-century Arabia, the story centers on Princess Hind (Aiysha Hart), who resists being handed over as a concubine to the ruthless Emperor Kisra (Ben Kingsley).
Fuze Review: It Doesn’t Always Make Sense—But It’s a Ride Worth Taking
No matter the genre, every cinephile has that one director they wish was playing on a bigger stage. For me, when it comes to thrillers, that director is David Mackenzie. His latest film, Fuze, arrives courtesy of Roadside Attractions and Saban Films—and it wastes no time making its intentions clear.
“American Solitaire” Confronts PTSD and Gun Culture Head-On
Writer-director Aaron Davidman explores two gripping topics—gun control and PTSD—in his new film “American Solitaire,” from Greenwich Entertainment. As anyone who has served their country knows, when you come home from war, sometimes the battle isn’t over.
“Return of the Mack” Review: Legacy Meets Grit in a Modern Redemption Story
Director Kamal Smith brings his creative vision to “Return of the Mack,” a companion piece to the classic 1970s film “The Mack,” distributed by Quiver Distribution. The screenplay is written by Jason “Jayskillz” Collins, Brian Freeman, and Jami Freeman.
Bob Odenkirk Trades “Nobody” Swagger for Everyman Grit in “Normal”
After an incident on the job that also resulted in a bout of PTSD and put a strain on his marriage, Sheriff Ulysses (Odenkirk) has relocated to a small town in the Midwest as an interim sheriff, filling in for the town’s Sheriff who recently passed away.
“Omaha” Review: John Magaro Shines in a Heartfelt Road Trip Drama Set During the 2008 Crisis
After getting his feet wet in the world of shorts, director Cole Webley makes his feature debut with “Omaha” from Greenwich Entertainment. Robert Machoian pens the film’s screenplay. Set in 2008, against the backdrop of the economic crisis, the film introduces us to a struggling, nameless father (John Magaro).