“Clown in a Cornfield finds” a good balance of slasher and comedy
After an eight-year hiatus, cult director Eli Craig returns to the horror-comedy genre with his latest film, “Clown in a Cornfield,” from RLJE Films.
“Rosario” is an impressive directorial debut
First-time director Felipe Vargas explores the consequences of forgetting one’s roots in the chilling horror film “Rosario,” produced by Highland Film Group and Muchio Mass Media. Alan Trezza wrote the screenplay, which begins with our titular character, a Mexican immigrant, receiving her first communion. After a spooky incident involving her eerie grandmother, it becomes evident that Rosario is destined to move on when she grows older.
“Neighborhood Watch” : Suspense on Snooze Patrol
Director Duncan Skiles taps into the buddy pic genre for his feature debut in “Neighborhood Watch” from RJLE Films. Simon (Jack Quaid) is a young man grappling with mental illness who becomes convinced that he has witnessed an abduction. When he reports it to the police, and they refuse to believe him, he reluctantly seeks the help of his neighbor Ed (Jeffrey Dean Morgan), a jaded, retired security guard with a troubled past. As the unlikely duo delves deeper into the mystery, their pursuit of the truth forces them to confront the disappearance’s dark secrets and the unspoken wounds that haunt them.
“The Accountant 2” is a sequel audiences shouldn’t write off
Ben Affleck reunites with director Gavin O’Connor for the third time in “The Accountant 2.” Bill Dubuque, who wrote the script for the first film, also returns for the sequel. When we last saw Christian Wolff, a.k.a. The Accountant (Affleck), he was driving down a country road with his Airstream after completing his latest mission.
“Mob Cops” is a Cinematic Badge of Dishonor
Director Danny Abeckaser continues to explore the actual crime and mob genre in his ninth film, “Mob Cops,” from Lionsgate, which reunites him with screenwriter Kosta Kondilopoulos. If you follow my writings, then you know I’m a sucker for a true story.
“The Wedding Banquet” is a sharp and tender dramedy that does the original justice
Director Andrew Ahn presents an insightful and heartfelt comedy in his updated version of Ang Lee’s classic 1993 film “The Wedding Banquet.” Ahn co-wrote the film with James Schamus. The 2025 remake maintains the original film’s spirit while investigating themes of cultural identity and queerness through the lens of chosen family dynamics. Through humor and grace, the film, led by Bowen Yang alongside Lily Gladstone and Kelly Marie Tran, examines themes of love, tradition, and self-discovery.
“Screamboat” is bloody & badly acted low budget fun
Director Steven LaMorte takes advantage of copyright expiring for an iconic character in his latest film, “Screamboat” from Sleight of Hands Productions. LaMorte pens the screenplay with Matthew Garcia-Dunn. Opening with a traditional slasher film kill, “Screamboat” introduces us to Selena (Allison Pittel), a tour guide from the Gopher state who has moved to the Big Apple to chase her fashion designer dreams.
“The Friend” wisely avoids the typical pooch movie tropes
Typically, films resort to standard emotional triggers and endearing canine imagery, resulting in predictable tear-jerking experiences. However, “The Friend” successfully transcends these genre clichés, presenting a far more nuanced and rewarding narrative than merely depicting a woman’s life named Iris (portrayed by Naomi Watts) following her encounter with a dog.
“Freaky Tales” is a wild ride through Oakland
For their new Lionsgate film “Freaky Tales,” directors Anna Boden and Ryan Fleck revisit the 1980s. This visually stunning and narratively bold anthology immerses its viewers in the frenzied depths of 1987 Oakland through four linked crime and music stories of chaos. The pulsating soundtrack and the profound respect for the era’s cultural fabric make “Freaky Tales” an electrifying journey through unpredictable storytelling.
“Warfare” is one of the most gripping and realistic military films ever made
Iraq War Veteran Ray Mendoza reunites with director Alex Garland for another war film, Warfare, from A24. Mendoza and Garland also co-wrote the movie based on Mendoza’s experiences during the Iraq War as a former U.S. Navy SEAL. Set in 2006 and shot in real-time, Warfare follows a platoon of Navy SEALs on a mission through the insurgent territory.
“Bob Trevino Likes It” explores the power of friendship
Director Tracie Laymon examines the significance of friendship in her latest film, Bob Trevino Likes It, produced by Roadside Attractions. Laymon also authored the screenplay, which draws inspiration from a genuine friendship she cultivated with a stranger while conducting an online search for her father.
“Death of a Unicorn” is a fun take on the mystical creatures
Director Alex Scharfman delivers a unique film for his debut in Death of a Unicorn from A24. Elliot (Paul Ridd) is a lawyer headed to a weekend retreat looking to close a big deal for his billionaire bosses Odell (Richard E. Grant) and Belinda (Téa Leoni). Along for the ride is his college-aged daughter Ridley (Jenna Ortega), with whom he’s looking to reconnect following the death of their matriarch and before she leaves for college.