There’s always been a significant relationship between R&B and jazz music. One of my favorite saxophonists, Boney James, has many collaborations with R&B singers such as Donell Jones, Mario, Dave Hollister, and Jaheim. For this week’s Slow Jam Saturday selection, I wanted to highlight Boney’s 2006 collaboration with Earth, Wind & Fire’s lead vocalist Philip Bailey.
The duo collaborated on the elegant ballad “Love Song” from Boney’s tenth studio album, Shine. When the album arrived in stores in September of 2006, I was on a deployment. Spending time in the sandbox, I had tons of time to digest music. I was already familiar with Boney’s work, but there was something special about “Love Song.”
James opens the song with his signature sax skills before the buttery smooth vocals of Bailey come through for a blissful four and half minutes.
“Any time that we’re together
I can’t keep my eyes off you
Did you know it’s you I treasure
Doin’ anything you want me, anything you ask me to
I never ever had a love so true
Someone as warm as you
All I know is that I love you
Give all my love to you, that’s all I wanna do
Gonna write a little love song, yeah
Gonna tell you how I feel
Gonna write a little love song
Show you how I care for you, I’ll keep on loving you.”
The lyrics in the song come across with emotion as Bailey croons his feelings. I think anyone who has ever been in love will relate to what Bailey is singing about. If you’ve never heard the track, I recommend checking it out.
Final Grade: A
“Love Song” from Shine is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.