K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
There’s always been a significant relationship between R&B and jazz music. One of my favorite saxophonists, Boney James, has many collaborations with R&B singers such as Donell Jones, Mario, Dave Hollister, and Jaheim. For this week’s Slow Jam Saturday selection, I wanted to highlight Boney’s 2006 collaboration with Earth, Wind & Fire’s lead vocalist Philip Bailey.
The duo collaborated on the elegant ballad “Love Song” from Boney’s tenth studio album, Shine. When the album arrived in stores in September of 2006, I was on a deployment. Spending time in the sandbox, I had tons of time to digest music. I was already familiar with Boney’s work, but there was something special about “Love Song.”
James opens the song with his signature sax skills before the buttery smooth vocals of Bailey come through for a blissful four and half minutes.
“Any time that we’re together
I can’t keep my eyes off you
Did you know it’s you I treasure
Doin’ anything you want me, anything you ask me to
I never ever had a love so true
Someone as warm as you
All I know is that I love you
Give all my love to you, that’s all I wanna do
Gonna write a little love song, yeah
Gonna tell you how I feel
Gonna write a little love song
Show you how I care for you, I’ll keep on loving you.”
The lyrics in the song come across with emotion as Bailey croons his feelings. I think anyone who has ever been in love will relate to what Bailey is singing about. If you’ve never heard the track, I recommend checking it out.
Final Grade: A
“Love Song” from Shine is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.