Director Brad Anderson teams up with writer Will Honley for his latest thriller, Blood from Vertical Entertainment. Jess (Michelle Monaghan), a nurse and mother recently separated from her husband Patrick (Skeet Ulrich), moves her daughter Tyler (Skylar Morgan Jones) and young son Owen (Finlay Wojtak-Hissong) back into her family farmhouse.
Within a few days of settling in, Owen’s dog manages to escape and scurries into the woods to return days later, blood-soaked and rabid. After the dog bites Owen and attacks him, the resulting infection worsens, and Owen begins to display threatening and harmful behavior due to the attack. As he spirals more profoundly into the depths of his illness, Jess discovers a disturbing cure. This makes her question how far she will go to keep her child alive. From the description alone, most viewers should know where Blood will end up.
If you know his filmography, crises are no sweat for director Anderson. The story’s first half gets a lot of mileage out of the crisis—Owen’s strength is restored by drinking Blood, which changes doctors’ perception that he has anemia. Anderson also allows us to care about Jesse as she processes this information and becomes proactive about providing meals.
Eventually, Jess inevitably dips into the blood supply of her employer. When that stash of Blood isn’t enough, a visit to the pet store becomes necessary for the mom, desperate to keep Owen. This decision threatens her health when she pulls from her body to feed Owen. Divorce proceedings also constrain Jess with Patrick. A minor plot point exposes a history of addiction and neglect, making the character’s jump to blood donor credible.
Unlike many vampire stories, Blood succeeds as a drama, and one wishes they had cut the entire vampire subplot. Michelle Monaghan provides her usual quirks in the film. Her captivating performance brings the film to life, demonstrating the power of a single mother’s love and her ability to overcome the struggles of single parenthood.
Final Grade: C-
Blood is in limited theaters and available On Demand.
Martial arts auteur Siyu Cheng delivers his latest action-packed fest in “The Tai Chi Master” from Well Go USA. The Tai Chi Master” examines the journey of Zhang Junbao, a dedicated disciple of Wuji, who emerges as a crucial figure during significant upheaval.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
Megan Fox teams up with director S.K. Dale to bring her feminine wiles to the world of A.I. in “Subservience” from XYZ Films. Will Honley and April Maguire wrote the film’s screenplay. Alice (Fox) is a lifelike, artificially intelligent android who can care for any family and home. Looking for help with the housework, struggling father Nick (Michele Morrone) purchases Alice after his wife Maggie (Madeline Zima) becomes sick. Alice suddenly becomes self-aware and wants everything her new family has to offer, starting with the affection of her owner — and she’ll kill to get it.