
“Clown in a Cornfield finds” a good balance of slasher and comedy
After an eight-year hiatus, cult director Eli Craig returns to the horror-comedy genre with his latest film, “Clown in a Cornfield,” from RLJE Films.
Dwayne Johnson reunites with his Jungle Cruise director Jaume Cillect-Serra to bring a DC Comic anti-hero to the big screen in Warner Bros. Pictures, Black Adam. Handling the script duties, we have Adam Sztykiel, Rory Haines, and Sohrab Noshirvani.
Nearly 5,000 years ago, a slave (Dwayne Johnson) was given magical powers by the wizard Shazam. After using his gifts for evil purposes, the man was imprisoned for centuries. Now he’s about to finally be released at the hands of Adrianna Tommaz (Sarah Shahi). Meanwhile, Amanda Waller (Viola Davis) has sent the Justice Society with Dr. Fate (Pierce Brosnan), Cyclone (Quintessa Swindell), Atom Smasher (Noah Centineo), and Hawkman (Aldis Hodge) to neutralize Adam.
My review for Black Adam isn’t going to be a long one. I will try my darnedest not to spoil the film. However, there is no point in spoiling it since it has a pedestrian plot that you can predict well ahead of time. In contrast to 2019’s Shazam, which relied on Zachary Levi’s comedic timing, Black Adam attempts to do something different with its grim tone. While the film carries a PG-13 rating, Dwayne Johnson has a body count in the movie that would make Jason Voorhees proud.
Since making his debut in The Mummy Returns, we know what to expect when seeing Dwayne Johnson on screen. I’ll give him credit for showing some range in Be Cool and Southland Tales. Then again, Dwayne knows he has charisma, so even if it’s a terrible movie, he has a delightful time in the role. As Black Adam, Dwayne has the chance to quip one-liners while the audience enjoys popcorn.
That said, Dwayne allows others in the cast to shine, particularly Aldis Hodge and Pierce Brosnan. With their lively banter, these two nearly steal the movie from Dwayne. I’m going to need an animated sequel in the style of Lethal Weapon for the characters ASAP, as I enjoyed them immensely. The remaining cast members essentially fall into character templates which is fine as we are in a rebuilding phase for the DC Cinematic universe.
To put it simply, Black Adam is an old-school concoction of massive destruction and impressive CGI. We see Dwayne Johnson dodge bullets, catch a missile in his hand, and fling helicopters with casual disdain. While Black Adam doesn’t come close to the glory days of the MCU, it does steer the DCU in the right direction.
Final Grade: B
Black Adam is in theaters now.
After an eight-year hiatus, cult director Eli Craig returns to the horror-comedy genre with his latest film, “Clown in a Cornfield,” from RLJE Films.
First-time director Felipe Vargas explores the consequences of forgetting one’s roots in the chilling horror film “Rosario,” produced by Highland Film Group and Muchio Mass Media. Alan Trezza wrote the screenplay, which begins with our titular character, a Mexican immigrant, receiving her first communion. After a spooky incident involving her eerie grandmother, it becomes evident that Rosario is destined to move on when she grows older.
Director Duncan Skiles taps into the buddy pic genre for his feature debut in “Neighborhood Watch” from RJLE Films. Simon (Jack Quaid) is a young man grappling with mental illness who becomes convinced that he has witnessed an abduction. When he reports it to the police, and they refuse to believe him, he reluctantly seeks the help of his neighbor Ed (Jeffrey Dean Morgan), a jaded, retired security guard with a troubled past. As the unlikely duo delves deeper into the mystery, their pursuit of the truth forces them to confront the disappearance’s dark secrets and the unspoken wounds that haunt them.