Slow Jam Saturday: Xscape
The summer of 2024 is set to be a thrilling season for live music, with the highly anticipated start of ‘The Queens of R&B’ tour. This tour, featuring co-headliners Xscape and SWV and special guests Mya, Total, and 702, promises to be a musical extravaganza. In this exciting context, this week’s Slow Jam Saturday is a perfect opportunity to celebrate Xscape’s ballad ‘Do You Want To,’ the final track from their second album, ‘Off The Hook,’ released in 1995.
Ultraman: Rising is high flying family entertainment
In his debut as a director for Netflix’s “Ultraman: Rising,” animation specialist Shannon Tindle offers a unique fusion of sports and superhero action. Co-written with Marc Haines, the script brings to life the thrilling and heartwarming tale of Ken Sato, a renowned baseball player concealing a secret identity as the towering superhero Ultraman. The narrative takes a surprising turn as Sato navigates the dual responsibilities of a successful sports career and his newfound role as a city protector and a baby kaiju caretaker.
Second Listen Sunday: Christopher Williams, Changes
This week’s Second Listen Sunday takes us back to 1992 to pay homage to R&B singer Christopher Williams and his second album ‘Changes.’ This album, a significant milestone in the R&B and soul music scene, was released after Williams’ success in portraying Kareem Akbar in ‘New Jack City,’ setting the stage for his impactful journey in the music world. On December 29, 1992, Williams unveiled his album in record stores, kicking off the promotion with the lead single ‘I’m Dreamin’.
Slow Jam Saturday: Troop, Still In Love
I often reflect on my childhood and realize how fortunate I was when it came to music. So, for this week’s Slow Jam Saturday, I wanted to show appreciation for the R&B quintet Troop and their song “Still in Love” from their self-titled 1988 debut album. Compromised of Rodney Benford, John Harreld, Allen McNeil, Steve Russell, and Reggie Warren, Troop burst onto the scene with the bop “Mamacita,” which featured the production and writing skills of their label mates Gerald Levert and Marc Gordon from LeVert. However, I’m a ballad fan, so it was all about “Still in Love.”
Tribeca Review: Luther: Never Too Much
Esteemed documentary filmmaker Dawn Porter embarks on a compelling journey into the life and musical legacy of Luther Vandross in her latest project, ‘Luther: Never Too Much.’ This documentary stands out with its insightful interviews, rare footage, and carefully crafted screenplay that brings Vandross’s story to life. The evocative musical score by Grammy winner Robert Glasper and the executive production by Oscar winner Jamie Foxx further elevate the project, ensuring a poignant and comprehensive exploration of Vandross’ remarkable career and influence.
Jennifer Esposito flexes her directing chops in the engaging Fresh Kills
Esteemed actress Jennifer Esposito takes a bold step into the world of writing and directing with ‘Fresh Kills’ from Quiver Distribution. In addition to her new roles, Esposito delivers a compelling performance as a co-star in the film. Set in late 1989 and 1993 in Staten Island, New York, the film follows the journey of Rose Larusso, a young and curious girl portrayed by Emily Bader. Her life takes a dramatic turn when she uncovers a shocking secret about her father, Joe, played by Domenick Lombardozzi, who is revealed to be a mafia kingpin. As Rose’s yearning for independence and self-discovery intensifies, it triggers a series of events that not only jeopardize her safety but also strain her relationships with her mother, Francine (played by Esposito), her sister Connie (portrayed by Odessa A’zion), and her aunt Christine (brought to life by Annabella Sciorra). This internal and external conflict forms the film’s core, ‘Fresh Kills. ‘
Reverse The Curse blends comedy, sports fanatics and drama
David Duchovny, known for his roles in popular TV series and films, makes a comeback to directing narrative features after a gap of two decades with the much-anticipated ‘Reverse The Curse’ from Vertical. In this project, he not only adapts his fourth novel, ‘Bucky F*cking Dent,’ from 2017, for the film’s screenplay but also takes on a co-starring role.
Presumed Innocent is an engaging miniseries
Celebrated Academy Award Nominee Jake Gyllenhaal, following his successful tribute to an 80s classic earlier this spring, is poised to showcase his acting prowess in the miniseries “Presumed Innocent.” Renowned attorney turned Hollywood polymath David E. Kelley assumes the role of showrunner and series writer, with Greg Yaitanes and Anne Sewitsky taking turns directing the series’ eight episodes.
Second Listen Sunday: The O’Jays, Imagination
It’s hard to believe I was in the Air Force twenty years ago. While R&B king Usher dominated the R&B scene with his magnum opus’ Confessions,’ the legendary R&B trio The O’Jays, known for their soulful tunes, quietly dropped a bombshell-their highly anticipated new album ‘Imagination ‘.
Slow Jam Saturday : Eric Benét , I Wanna Be Loved
For this week’s Second Listen Sunday, I have chosen to revisit the music of 1988, a year particularly significant to me. Contrary to expectations, I have opted to divert attention from the New Jack Swing genre and instead highlight the work of the relatively uncelebrated artist, Mr. Gary Taylor, and his second solo album, “Compassion.” Before gaining widespread recognition, Taylor had established a solid reputation through his collaborations with notable artists such as Vesta Williams, The Dazz Band, and Grover Washington Jr. However, Taylor’s breakthrough moment came with his contributions to The Whispers’ “Just Gets Better with Time.”
Unlock the mystery of Netflix’s Eric
Welsh playwright Abi Morgan brings her talent for writing to Netflix for the miniseries “Eric.” Lucy Forbes directs all six episodes, which star Benedict Cumberbatch, a recipient of the BAFTA TV Award, Primetime Emmy Award, and Laurence Olivier Award.
Second Listen Sunday: Gary Taylor, Compassion
For this week’s Second Listen Sunday, I have chosen to revisit the music of 1988, a year particularly significant to me. Contrary to expectations, I have opted to divert attention from the New Jack Swing genre and instead highlight the work of the relatively uncelebrated artist, Mr. Gary Taylor, and his second solo album, “Compassion.” Before gaining widespread recognition, Taylor had established a solid reputation through his collaborations with notable artists such as Vesta Williams, The Dazz Band, and Grover Washington Jr. However, Taylor’s breakthrough moment came with his contributions to The Whispers’ “Just Gets Better with Time.”