Sundance Review : “If I Go Will They Miss Me”
It’s been about three weeks since I returned from Sundance’s final year in Park City — a closing chapter for a festival that has defined independent film for decades. As expected, I missed a few titles in theaters but caught up with them at home. One such film was “If I Go Will They Miss Me”.
“Dreams” review: Jessica Chastain and Isaac Hernández ignite in a stylish, politically charged erotic drama
Academy Award winner Jessica Chastain reunites with director Michel Franco for her latest film, “Dreams,” from Greenwich Entertainment. Franco also pens the film’s screenplay. On paper, this film plays like a stylish remnant of the golden age of the erotic thriller, featuring sleek interiors, dangerous longing, and sex charged with consequence.
“The Last Thing He Told Me” Season 2 (2026) review: a deeper, more intimate mystery
When “The Last Thing He Told Me” debuted, its tension stemmed from absence—a husband had vanished, leaving only a note that read, “Protect her.” A wife and her stepdaughter were left to untangle a life built on secrets. Season 2, premiering on Apple TV+ on February 20, takes a bolder approach by bringing Owen back.
Concert Review : New Edition Way Tour @ CFG Bank Arena, Baltimore MD
I’ve seen New Edition more times than I can count, but this stop felt different. Perhaps it was the holiday atmosphere, the anticipation built from missing their Vegas residency, or the weight of legacy hanging in the air.
“How to Make a Killing” review: Glen Powell shines in A24’s darkly twisted black comedy
Glen Powell brings his charming everyman persona to the black comedy genre in “How to Make a Killing”, the latest film from A24. Written and directed by John Patton Ford, the movie draws inspiration from the 1949 British classic “Kind Hearts and Coronets”, originally penned by Robert Hamer and John Dighton.
“The Inquisitor” review: Director Angela Tucker revitalizes the moral force of Barbara Jordan
Director Angela Tucker’s “The Inquisitor” refrains from presenting Barbara Jordan as a mere figure of reverence. Instead, it revitalizes her legacy, showcasing what intellectual courage looks like when it stands firm.
“Reality Check”: Inside “America’s Next Top Model” review – Revisiting the drama, judges, and viral moments
There was a time when “America’s Next Top Model” was a must-watch for me. While stationed overseas in the Air Force, Armed Forces Network (AFN) became my weekly connection to home, and ANTM was an essential part of that routine
“Hellfire” review: Stephen Lang burns through a gritty neo‑western
In “Hellfire,” from Saban Films, director Isaac Florentine returns to the muscular, morally complex terrain he knows well, delivering a neo-Western that feels shaped by dust, sweat, and scripture.
“Soul Power: The Legend of the American Basketball Association” is a slam dunk history lesson
I’ll be honest: I’m not the type of person who can casually debate pre-merger basketball history like it’s small talk. I’m more of a fan who knows the stars and the big moments but is still learning the rest. That’s exactly why “Soul Power” works so well.
“Crime 101” review: Chris Hemsworth trades thunder for thievery in a smart, slow‑burn thriller
After a six-year hiatus, director Bart Layton returns to the heist genre in “Crime 101” from MGM. Layton also writes the film’s screenplay, which adapts Don Winslow’s novella of the same title.
“The Wrecking Crew” is a solid old‑school action throwback
The buddy genre has always been one of my favorites, so I was excited to check out Prime Video’s “The Wrecking Crew.” The film exudes an easy confidence that makes it an enjoyable throwback rather than a self-conscious exercise in nostalgia. It understands the kind of story it wants to tell and leans into the familiar pleasures of a mismatched brother dynamic, steady action beats, and emotional reconciliation without hesitation.
Sundance Review : Soul Patrol
“Soul Patrol” uncovers a chapter of American military history that has been overlooked, not by time, but by inconvenience.