“Faces of Death” Review: A Killer Concept That Mostly Plays It Safe
One day, Margot stumbles upon a violent video uploaded by Arthur (Darce Montgomery), a serial killer reenacting deaths from the original “Faces of Death” and targeting internet celebrities as his victims.
“Hoppers” Review: Pixar Finally Stops Playing It Safe—And It Shows
Pixar hopes to reclaim its glory with “Hoppers,” from director . Daniel Chong. The director pens the screenplay with Jesse Andrews. If we are being honest, Pixar has spent the last decade doing something it traditionally avoided—playing it safe with sequels, familiar worlds, and proven formulas.
Single Review: Ne-Yo , “Up Out & Gone”
As fans prepare for his upcoming co-headlining tour, Ne-Yo isn’t just revisiting his past; he’s expanding his horizons. “Up Out & Gone” continues his recent shift towards country-influenced sounds, but it’s important to note that this isn’t a genre switch—it’s a blend.
Apple TV+’s “Your Friends & Neighbors” Season 2 Expands Its World—and Its Impact
Picking up after Coop (Jon Hamm) narrowly avoids prison, the season finds him still navigating moral gray areas, even after realizing that Sam (Olivia Munn) framed him for murder. His relationship with ex-wife Mel (Amanda Peet) remains complicated—emotionally unresolved yet intentionally restrained. The show avoids easy resets, allowing its characters to grapple with the discomfort they’ve created.
“The Drama” Review: Pattinson and Zendaya Anchor A24’S Character Study
Norwegian filmmaker Kristoffer Borgli continues his collaboration with A24 in “The Drama,” a polished relationship story that gradually unravels the longer you engage with it.
“Untold: The Death & Life of Lamar Odom” review – a Sobering Look at Fame and Survival
Netflix’s Untold series returns with one of its most sobering chapters yet, turning its lens on two-time NBA champion Lamar Odom in “UNTOLD: The Death & Life of Lamar Odom”, directed by Ryan Duffy.
“Reminders of Him” review: Colleen Hoover’s Emotional Redemption Story Lands
The story begins with Kenna Rowan (played by Maika Monroe), who returns to her hometown after serving seven years in prison for vehicular manslaughter that resulted in the death of her ex-boyfriend and the father of her daughter, Scotty (Rudy Pankow).
“A Magnificent Life” review: Sylvain Chomet’s Animated Biopic Reinvents the Genre
I’ve always had a soft spot for biopics—the kind that take real lives and shape them into something cinematic and lasting. However, I can admit that the genre has been lacking lately.
“Something Very Bad Is Going to Happen” review: Marriage Meets Psychological Horror
There’s a quiet, unnerving confidence pulsing beneath Netflix’s “Something Very Bad Is Going to Happen,” a slow-burn psychological horror series that understands that dread is far more effective when it lingers rather than lunges.
“They Will Kill You Review”: Bold, Bloody, and Unpredictable
Russian filmmaker Kirill Sokolov makes his American debut with Warner Bros.’ “They Will Kill You”, a blood-soaked genre hybrid that wastes little time showing its teeth. Co-written with Alex Littvak, the film drops audiences into a deceptively simple setup that quickly spirals into chaos.
“I Swear” Review: A Star-Making Turn from Robert Aramayo Anchors This Moving True Story
The film opens in 2019, introducing John (Robert Aramayo) as he prepares for a formal meeting with Queen Elizabeth II. In a moment that immediately disarms the audience, John blurts out an obscenity, shocking everyone.
“The Madison” Review: Taylor Sheridan’s New Show Trades Power for Pain in a Gripping Family Drama
Writer-director Taylor Sheridan continues to expand his creative reach into “The Treasure State” with his latest series, “The Madison”, for Paramount+. Initially conceived in 2023 as a sequel and spinoff of “Yellowstone”, the project has since evolved into a standalone story centered on the Clyburn family and their journey through grief in Montana.