Flashback Friday Music Review: D’Angelo, “Heaven Must Be Like This”
Following the release of his debut album, “Brown Sugar,” in 1995, the singer hit a bit of a writer’s block before releasing “Voodoo” in 2000.
“Jonesing: When Love Is a Habit” is a successful take on modern black love
Similar to other black romance classics, music plays a significant role in the film. In addition to highlighting some of the cast members who feature on the soundtrack, King allows them to showcase their musical talents, while also incorporating a few R&B classics that tie into his narrative.
Second Listen Sunday: Lloyd, “Lessons in Love”
For the final single, Lloyd took things to the bedroom with “Year of the Lover”
Slow Jam Saturday: Kelly Rowland, “Motivation”
Nineties babies are buzzing with excitement as two of the most prominent voices from that era, Brandy and Monica, prepare to launch “The Boy Is Mine Tour” next week. However, for this week’s Slow Jam Saturday, I wanted to highlight one of the opening acts, the amazing Kelly Rowland, and her 2011 hit, “Motivation.”
Netflix’s “Boots” blends military grit with coming of age heart in a 1990s Marine Corps Setting
“Boots” skillfully balances humor and heart without sugarcoating the brutality of the Corps or the personal struggles of the recruits.
Colin Hanks honors a comedy giant in Prime Video’s “John Candy: I Like Me”
Colin Hanks travels to “The Great White North” to pay tribute to one of their comedic legends in his third directorial effort, “John Candy: I Like Me,” which will be available on Prime Video. Canadian actor Ryan Reynolds joins Candy’s widow and children as producers of the documentary.
“After the Hunt” misses its mark despite star power
Set on the campus of Harvard, the film follows college professor Alma Imhoff (played by Julia Roberts) as she strives to secure tenure. Well-liked by her students, Alma goes the extra mile to support those she believes can make a significant impact in the world.
Director Bill Condon and Jennifer Lopez spin a fresh web with “Kiss of the Spider Woman”
After a five-year hiatus, director Bill Condon returns to the musical genre with an adaptation of the stage musical “Kiss of the Spider Woman,” produced by Lionsgate, Roadside Attractions, and LD Entertainment.
Second Listen Sunday: Chris Brown, “Graffiti”
The production is so glossy that it suffocates the music. Songs blend into one another with generic synths and “me too” hooks that sound like they were pulled from a bargain bin of late-2000s pop-R&B leftovers
Slow Jam Saturday: Miguel, “Teach Me”
Miguel’s lyrics convey his longing to be with someone and to feel their emotions.
“The Lost Bus” turns wildfire chaos into human resilience
Visually, Apple spares no expense; the result is often terrifyingly beautiful. Flames stretch across the horizon like tidal waves, reminding us of the fragility of human constructs when nature becomes hostile.
“Coyotes” howls but rarely bites
Music video director Colin Minihand ventures into the horror genre with his latest feature, “Coyotes,” from Aura Entertainment.