Filmmaker Eamon O’Rourke taps into a different female empowerment angle for her directorial debut in Asking for It from Saban films. In this edgy thriller, Vanessa Hudgens, Kiersey Clemons, and Alexandra Shipp lead a no-mercy all-femme gang. After a small-town waitress (Clemons) is sexually assaulted on a date, she meets Regina (Shipp) and Beatrice (Hudgens) and is recruited into their vigilante group of badass women.
Together they strive to take down a society overpowered by corrupt men and seek the ultimate revenge while getting their version of justice.
The group leader is Sal, and their primary foe is Mark Vanderhill (Ezra Miller), the founder of the “Men First Movement.” The movement is about to hold a major rally in a town protected by corrupt Sheriff Morrill (David Patrick Kelly), inspiring the commune in a war against a powerful enemy.
Asking for It is a different kind of film because it’s not sure how to struggle with the narrative. I enjoyed the acting in the movie, notably Ezra Miller, who makes a wonderful bad guy. The ladies in the film have strong chemistry that is worthy of mention. At its core, Asking for It is an allegory on feminism, which, in that regard, the film succeeds.
Final Grade: C
Filmmaker Minhal Baig takes audiences to Windy City for her third directorial effort in “We Grown Now” from Sony Pictures Classics. Baig also pens the screenplay, which is set in 1992. In the vibrant heart of Chicago’s Cabrini-Green, two inseparable pals, Malik (played by Blake Cameron Jones) and Eric (portrayed by Gian Knight Ramirez), transform their bustling neighborhood into a playground of dreams.
John Travolta returns to the world of bank robbing in “Cash Out” from Saban Films. Ives directs the film from a screenplay by Dipo Oseni and Doug Richardson. Mason (Travolta) is the leader of a high-end crew of thieves that includes his girlfriend Amelia (Kristin Davis), his younger brother Shawn (Lukas Haas), Anton (Quavo), Link (Nataku Yura), and Hector (Noel Gugliemi). Mason decides to hang it up for good after a double-cross from Amelia, who is undercover, spells a near-miss with the law.
Acclaimed director Guy Ritchie continues churning content as his latest film, “The Ministry of Ungentlemanly Warfare” from Lionsgate, hits theaters. Ritchie, along with Paul Tamasy, Eric Johnson, and Arash Amel, co-writes the screenplay, which is an adaptation of Damien Lewis’ book “The Ministry of Ungentlemanly Warfare: How Churchill’s Secret Warriors Set Europe Ablaze and Gave Birth to Modern Black Ops.”
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