Filmmaker Eamon O’Rourke taps into a different female empowerment angle for her directorial debut in Asking for It from Saban films. In this edgy thriller, Vanessa Hudgens, Kiersey Clemons, and Alexandra Shipp lead a no-mercy all-femme gang. After a small-town waitress (Clemons) is sexually assaulted on a date, she meets Regina (Shipp) and Beatrice (Hudgens) and is recruited into their vigilante group of badass women.
Together they strive to take down a society overpowered by corrupt men and seek the ultimate revenge while getting their version of justice.
The group leader is Sal, and their primary foe is Mark Vanderhill (Ezra Miller), the founder of the “Men First Movement.” The movement is about to hold a major rally in a town protected by corrupt Sheriff Morrill (David Patrick Kelly), inspiring the commune in a war against a powerful enemy.
Asking for It is a different kind of film because it’s not sure how to struggle with the narrative. I enjoyed the acting in the movie, notably Ezra Miller, who makes a wonderful bad guy. The ladies in the film have strong chemistry that is worthy of mention. At its core, Asking for It is an allegory on feminism, which, in that regard, the film succeeds.
Final Grade: C
After an incident on the job that also resulted in a bout of PTSD and put a strain on his marriage, Sheriff Ulysses (Odenkirk) has relocated to a small town in the Midwest as an interim sheriff, filling in for the town’s Sheriff who recently passed away.
After getting his feet wet in the world of shorts, director Cole Webley makes his feature debut with “Omaha” from Greenwich Entertainment. Robert Machoian pens the film’s screenplay. Set in 2008, against the backdrop of the economic crisis, the film introduces us to a struggling, nameless father (John Magaro).
There’s a version of Hamlet that should feel alive in 2026—restless, culturally sharp, and willing to take risks. This isn’t that version. Starring Riz Ahmed and directed by Aneil Karia, this modern take on Shakespeare’s classic tragedy never quite finds its footing. It’s not a disaster—but it’s frustratingly close to being something better.