Director Jeremey Sauliner has partnered with Netflix for his fifth directorial venture, “Rebel Ridge,” for which he also wrote the screenplay. The plot follows Marine veteran Terry Richmond, portrayed by Aaron Pierre, as he arrives in the town of Shelby Springs to post bail for his cousin to avert impending peril.
However, Terry’s financial assets are unjustly confiscated by law enforcement, leading to a clash with local police Chief Sandy Burnne, played by Don Johnson, and his well-prepared officers. Terry’s character undergoes a significant development as he forms an unexpected alliance with court clerk Summer McBride, portrayed by AnnaSophia Robb. Together, they unravel an entrenched conspiracy within the secluded township. The stakes are high as Terry draws upon his enigmatic background to challenge the department’s influence on the community, seek redress for his family, and safeguard Summer.
Jeremy Saulnier won me over with his debut, “Murder Party,” which he filmed with no money. His subsequent films, “Green Room,” “Blue Ruin,” and “Hold The Dark,” were equally impressive. With his latest venture, “Rebel Ridge, “Saulnier continues to captivate audiences, particularly since rising talent Aaron Pierre toplines it.
One of the first things I want potential viewers to know about “Rebel Ridge” is that the film isn’t a non-stop action fest. Cinephiles who know Sauliner’s style will think they will appreciate the route he takes. If you’ve seen the trailer, you will know Terry’s introduction. Early on, it’s clear that Pierre wants to portray Terry as a man who wants to use violence as a last resort, but when pushed, he will react. The first moment we see Terry in action is well worth the wait, and Pierre is natural when engaging in believable hand-to-hand combat.
Additionally, Pierre brings an everyman approach to Terry that makes the character worth rooting for. The supporting cast, primarily headed by AnnaSophia Robb, who has made a great transition from her child star days, adds depth and complexity to the story. Don Johnson, always enjoyable, makes for a wonderfully slimy lead villain. David Denman, Emory Cohen, Steve Zissis, Zsané Jhé, Dana Lee, and James Cromwell also show supporting roles, each bringing their unique talents to the film.
“Rebel Ridge” kept my attention for the most part; however, there were a few minor gripes. Given the film’s run time, I could have used more action scenes to flashback to Terry learning his skills. Furthermore, the third act has a weak arc for a character that viewers will know when they see it.
Nevertheless, with a star-making turn from Aaron Pierre and solidifying Jeremy Sauliner’s directorial talent, “Rebel Ridge” is worth the stream.
Final Grade: B
“Rebel Ridge” is available to stream on Netflix this Friday.
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.