Jackson, DeBarge, and Sylver are just a few of the names that come to mind when you think of families in R&B music. Today is Father’s Day, so I wanted to highlight a legendary father and son duo for Second Listen Sunday. Arriving in stores on Sept 26, 1995, Father and Son was the first full-length collaboration between the late great Gerald LeVert and his dad Eddie LeVert. The two had many successful collaborations in the past, most notably “Baby Hold On To Me” from Gerald’s 1991 solo debut. Thus a full-length album had to happen at some point.
“Already Missing You” was the album’s first single. Gerald wrote the song with his longtime associate Tony Nicholas. The song is about the emotions that arise when someone leaves or dies. The lyrics express the pain and longing that comes with such a loss and how hard it is to let go and forget. The song effectively delves into the profound emotions of grief, underscoring the significance of cherished recollections and the affection between two former lovers. “Already Missing You” is a heartfelt homage to a profoundly and dearly cherished individual.
Gerald and Eddie continued to tug at the heartstrings for the second single, a cover of “Wind Beneath My Wings.” Initially written in 1982, the song has seen versions by legendary artists such as Gladys Knight & the Pips, Lou Rawls, and most famously, Bette Milder for the movie Beaches.
The LeVert men put their spin on the song, with Gerald passionately singing about his admiration for his dad. The senior LeVert sings about how proud he is of his son forging his career in the music industry. At 42, the song hits a bit deeper for me as it reminds me of my grandfather, who went to his eternal resting place in 2016.
Father and Son hit us with a slow jam for the final single: “Get You Thing Off.” The LeVert men were known for their ways with the ladies; this song is no different. The message I always get from the song is that two men know how to satisfy a woman in the bedroom and are not afraid to acknowledge it.
The rest of the album is typical nineties R&B, which is fine. A real highlight is the cover version of The O’Jays You Got Your Hooks in Me” featuring Walter Williams. Overall this is a fine addition to both men’s catalogs. The special bond between father and son and their mutual love and respect for each other is evident throughout the album.
Final Grade: B+
Father and Son by Gerald and Eddie LeVert is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.