The late great Aaliyah Haughton easily avoided the sophomore slump in late summer 1996 when her album One in a Millon hit record stores. Aaliyah’s label lined her up with some of the hottest producers of the time, including Daryl Simmons, Kay-Gee, Jermaine Dupri, and Rashad Smith. However, her tracks with a then up-and-coming Timbaland truly helped Aliyah find a different sound.
Timbaland produced nine of the album’s seventeen tracks. The time spent working on One in a Millon led to a successful working between the two. A year later, Timbaland and his partner were preparing to release their debut, Welcome to Our World, featuring two appearances from Aaliyah. The first was “Up Jumps da Boogie,” and the second was
“Man Undercover this week’s pick for Slow Jam Saturday.
Toward the end of Welcome to Our World, Timbaland & Magoo provided the listeners with two slow cuts. “Joy” (featuring Ginuwine and Playa) and Aaliyah’s contribution. The track begins with Timbo’s signature drum sound, with Baby Girl and Missy Elliot’s voices lushly blending before Aaliyah croons the first verse.
“I, I, like the way, way, you get down, down
(that’s the way I like it)
You’re the kinda guy
That makes mom feel proud
Don’t have to show you’re the boy, oh
I, I, like you the way that you are
I like my man undercover
Smooth dark brotha
Fly to the bone
You don’t need no fly jeep
To come and scoop me
You can drive what you own
(thats the way I like it)
A man undercover
Smooth black brotha
Fly to the bone
Don’t need no Gucci sweater
To make you look better
You can wear what you own.”
What I’ve always liked about the song is how Aaliyah eludes admiration for her man while avoiding crass lyrics. Toward the end of the track, Timbaland drops back in to drop a few bars. A fan favorite for years, “Man Undercover” is worth a listen if you’ve never heard the song.
“Man Undercover” is available on Timbaland & Magoo’s Welcome To Our World and Ultimate Aaliyah on all streaming platforms
Nineties R&B was home to many female groups, so standing out took more than good looks and a major industry endorsement. I still remember seeing Allure in a Vibe ad and thinking how gorgeous those four women were. The question was whether they had the talent to compete in the music scene.
In 1996, I first heard the Houston quartet Ideal on the Original Gangsters soundtrack. Their interpretation of Marvin Gaye’s “Inner City Blues,” featuring the Chi-Lites, caught my attention.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.