Keith Sweat had already spent the last decade honing his music craft as a member of the Harlem band Jamilah when his debut album Make It Last Forever hit record stores on November 24, 1987. Working with producer Teddy Riley on all but one song, Sweat’s first album was led by the single “I Want Her.” The song was an infectious BOP describing how one feels after having an instant attraction to someone. Sweat kept it up-tempo for the second single, “Something Just Ain’t Right.”
Over Teddy Riley’s fabulous production, Sweat effortlessly croons about knowing things aren’t peachy in your relationship. “Make It Last Forever” was the album’s third single, which found Sweat crafting a simple ballad about keeping love strong with songstress Jacci McGhee.
“Don’t Stop Your Love” was the album’s final single. Here Sweat continues the vibe established on “I Want Her,” playfully crooning about what he wants from a woman. However, as die-hard fans will attest, two of the biggest songs from the album were never official singles but received significant radio play.
“Right & Wrong Way” is what may have started Sweat’s trademark of begging. Easily one of Sweat’s best ballads, I’ve always taken the song as Sweat singing to a woman out on her own in the world for the first time and finally meeting Mr. Right (pun intended). Sweat wants the object of affection to know he’s not about the childish games anymore, and she shouldn’t be either.
“How Deep Is Your Love” is another killer slow jam from the album. In this song, Sweat talks about a man and his confusion about a relationship. He’s anxious to determine if his lover still wants to be a part of his world. She’s giving him mixing signals, but Sweat knows her heart and wants to know if she loves him or not.
Sweat also offers a decent cover of The Dramatics’ “In The Rain.” The only really weak song of the album is “Tell Me It’s Me You Want,” which comes off as a filer. Initially, Riley and Sweat recorded 17 songs for the project before narrowing it down to a solid eight. One of the songs was “Just Got Paid,” which would end up on Johnny Kemp’s second album, Secrets of Flying, a year later. Make It Last Forever would go on to sell three million copies but had Sweat put “Just Got Paid,” I can only imagine how much bigger the project would’ve been.
Despite the one misstep, Make It Last Forever is arguably one of the strongest R&B debuts of the eighties and set the stage for Mr. Sweat’s still active career.
Final Grade: A
Make It Last Forever is available on all streaming platforms
Songstress Ashanti was experiencing significant success with two platinum albums at the time of the release of her inaugural holiday project, “Ashanti’s Christmas,” on November 18, 2003. Her label head, Irv Gotti, produced most of the album. This project comprises four original songs co-written by Ashanti, in addition to six cover versions of traditional Christmas standards and carols.
Vocal quartet A Few Good Man contributed two songs to the project: a cover of “Silver Bells” and the ballad “Merry Christmas My Dear,” both of which were produced by Daryl Simmons. Demail Burks, David Morris, Aaron Hilliard, and Tony Amey were the members of the group, and after introducing themselves in the festive video for “Silver Bells,” it was only fitting that they delivered a ballad on the album.
R&B legend Luther Vandross had already solidified his place in R&B when he released his first holiday album, “This Is Christmas. Arriving in stores on October 24, 1995, “This Is Christmas” validates Vandross’s ability to sing anything.