K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
While he is one of the stars of Showtime’s hit series The Chi, Luke James has been making noise in the industry for almost two decades. James began his career singing background for Tyrese with his childhood friend Quentin, with whom he would later form a duo under the moniker Luke & Q.
The duo did sign to J Records. However, their debut album never saw an official release. After the group disbanded to pursue separate ventures, James would go on to write tracks for the likes of Chris Brown, Britney Spears, and Justin Bieber. In addition, James has released three solo albums and two mixtapes.
For this week’s Slow Jam Saturday, I wanted to highlight the first time I heard James sing. In 2006 as my loyal readers know, I was living in the United Kingdom and spent many a night DJing. I was part of a record pool to stay up on my music during this time. One month one of the songs was “My Turn” by Luke & Q.
Since the song dropped in 2006, it had had a “Mr. Steal Your Girl” vibe before Trey Songz made it famous. The singer’s voices compliment each other, and they avoid R&B thuggery. The lyrics may seem contrived to some, but the duo makes it work.
“Girl, who that dude you with?
Could’ve swore I saw him push up on your friend
Girl, who that dude you with?
Never seen him buy you nothing, always spending your ends
He don’t ice your wrists
Don’t take no trips
Don’t spend no time
He don’t rock your spine
But I’ll ice your wrists
We’ll take the trips
I’ll spend the time
Girl, I’ll hit ya right
Now it’s my turn, forget about your man”.
While I’m 41 now and married with children, the song still resonates, and hopefully, one day, we will get the chance to hear their aborted album.
Final Grade: B+
“My Turn” is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.