For this week’s Slow Jam Saturday, I wanted to feature a rarely mentioned duet between two late R&B legends. Teddy Pendergrass was already one of the premier voices in R&B when his duet “Hold Me” with future superstar Whitney Houston hit the airwaves in 1984. While Teddy P had a successful solo career on the Philadelphia International label, releasing five successive platinum albums (a record for an African-American R&B performer at the time), he moved to Asylum Records for his eighth album, Love Language.
Songs from the album were featured heavily on the soundtrack to the 1984 romantic comedy Choose Me, one of which is this week’s pick for Slow Jam Saturday. Linda Creed and Michael Masser wrote the song, while Masser also oversaw production. A gentle and lush arrangement opens the song before Pendergrass croons:
“I’ll hold you, and touch you
And make you my woman
And give you my love with sweet surrender
Tonight our hearts will beat as one
And I will hold you, touch you
And make you my woman tonight”.
Houston then comes before the second verse belting There’s something in your eyes I see A pure and simple honesty”. Listeners were treated to a preview of things to come from Houston’s angelic voice in the second verse as she sang:
“I believe you when you say that you love me
Know that I won’t take you for granted
Tonight the magic has begun
So won’t you hold me, touch me
Make me your woman tonight”.
Pendergrass’s vocal compliments of each other are second to none. When I hear the lyrics to the song at age 41, there are so many levels to the song. Whether it’s a first dance wedding song or experiencing intimacy for the first time, it’s a personal favorite of mine from both artists. Pendergrass would continue his career until his 2007 retirement, while all Mrs. Houston was only one year away from taking the music industry by storm. While I doubt the song will appear in Houston’s upcoming biopic, I Wanna Dance with Somebody; it was the perfect choice for Slow Jam Saturday.
Final Grade: A
Hold Me is available on all streaming platforms.
Nineties R&B was home to many female groups, so standing out took more than good looks and a major industry endorsement. I still remember seeing Allure in a Vibe ad and thinking how gorgeous those four women were. The question was whether they had the talent to compete in the music scene.
In 1996, I first heard the Houston quartet Ideal on the Original Gangsters soundtrack. Their interpretation of Marvin Gaye’s “Inner City Blues,” featuring the Chi-Lites, caught my attention.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.