A year before releasing her sixth solo album, The Velvet Rope, in 1997, Janet Jackson gifted her fans with her first greatest hits album, Design of a Decade: 1986–1996. I remember the initial criticisms about the title since the bulk of the songs were from her third (Control) and fourth (Janet Jackson’s Rhythm Nation 1814) albums. The singles that accompanied both of those albums saw release dates between 1986 and 1991. In addition, only one song from her 1993 album, Janet, is included. The omission of songs from Janet is a surprise, as that album had five number-one singles.
Nevertheless, Design of a Decade: 1986–1996 would still sell 4.3 million copies. In support of the album, Ms. Jackson released two singles. The infectious “Runaway” and this week’s Slow Jam Saturday spotlight, “Twenty Foreplay.” Jackson wrote and produced the song with her frequent collaborators Jimmy Jam & Terry Lewis. I’ve always loved the song because it starts with a seventies-style ballad before going into a mid-tempo R&B groove.
I still remember being at the age of fourteen and smiling from ear to ear when Janet sang, “Seeing your face glow is the nicest of hellos.” And now, as a married man and father, one of the greatest joys in life is seeing my wife and son wake up in the morning after a peaceful sleep. I must also make mention of the video with its b&w cinematography and the homage to Dorothy Dandridge.
Considering that the song is a fan favorite when it comes to her slow jams, it’s a surprise that Janet didn’t perform the song live until 2017’s State of the World Tour. If I am ever blessed enough to see Janet live, “Twenty Foreplay” is the one song that would get the biggest reaction from me. Illuminating sensuality and romance while avoiding crassness, “Twenty Foreplay” is one of my favorite ballads in Mrs. Jackson’s catalog.
Final Grade: A
While Design of a Decade: 1986–1996 is available to stream online, for some reason, “Twenty Foreplay” is omitted.
There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.
Gwen Stefani had already established herself as a significant force with No Doubt when she released her debut solo album, *Love. Angel. Music. Baby* in 2004. This week, while my iPod was on shuffle, one of my favorite songs from that project, “The Real Thing,” came on. Although the original version has an upbeat new-wave feel, the Slow Jam Mix takes it to another level and is the perfect choice for this week’s Slow Jam Saturday.
Unless you’re a music purist, mentioning Randy Jackson from the famous family is likely to elicit a joke. However, any serious Jackson fan knows that Randy had musical achievements long before the punchlines. Before he was old enough to buy a drink, he had already co-written “Shake Your Body (Down to the Ground)” and “Lovely One” with Michael Jackson.