Search
Train to Busan Presents: Peninsula
Picture of Derrick Dunn

Derrick Dunn

Mindless fun entertainment in Train to Busan Presents: Peninsula

2016 zombie action horror hit, Train to Busan receives a standalone sequel in Train to Busan Presents: Peninsula from Well Go USA. Yeon Sang-ho returns to the director’s chair for the sequel as does script scribe Joo-Suk Pak. Firstly, I want to point out that none of the original film characters make an appearance in the sequel, so if you are hoping to learn the fates of the characters Su-an and Seong-kyeong, prepare yourself for an upset.

Instead, Train to Busan Presents: Peninsula takes place four years after the zombie outbreak in Train to Busan. The Korean peninsula is devastated and follows Jung Seok (Dong-Won Gang). Train to Busan Presents: Peninsula opens with Jung Seok attempting to get his family to safety. Naturally, tragedy strikes, and one of Jung Seok’s family becomes infected.

Four years later, the guilt-ridden and former soldier is still on good terms with his brother in law Chul-min (Kim Do-yoon). Soon,Jung Seook is given a mission to go back to Incheon. Journeying to the quarantined peninsula and retrieve an abandoned food truck that contains bags of cash totaling US$20 million, he unexpectedly meets survivors.

Zombie flicks are either a hit or miss; however, Train to Busan changed the game with its premise. For argument’s sake, director Yeon Sang-ho could have easily set the sequel on another train in a different part of Korea. On the contrary, the director and his writer Joo-Suk Pak up the ante with death-defying stunts, great CGI zombie makeup, and excellent car chases.

While the film is subtitled, the plot is pretty easy to follow, and you’ll be engrossed in the action that the subtitles won’t throw you off. Suppose you’re expecting a rehash of the first. In that case, you’ll be sorely disappointed, and some viewers may find fault with the almost video game approach. Remember the two keys rules of a sequel as established by Randy Meeks in Scream 2. Number 1, the body count is always bigger, and Number 2 makes the death scenes much more elaborate. In that regard, Train to Busan Presents: Peninsula delivers the goods.

Horror movie purists are sure to find fault with the plot device of using humans as opposed to zombies as the primary villain. Movie buffs may have an issue with Jung Seok plot armor as well as the only real character giving an arc. I’m also quite sure that the remote control car scene (you’ll know it when you see it) is going to become a Meme soon. 

More Mad Max than Day of the Dead, Train to Busan Presents: Peninsula is a simple fun ride. Violence, K-Pop songs, and impressive camera work, Train to Busan Presents: Peninsula is recommended for fans of the first film and foreign cinema fans.

Final Grade: B-

Movie Clappers

More to explorer

“Nosferatu ” is elevated horror with bite

Eggers masterfully crafts a narrative that explores the fine line between desire and destruction, drawing viewers into the emotional turmoil of his characters. The cinematography is breathtaking, with shadowy landscapes and hauntingly lit interiors that evoke a sense of dread and anticipation. Every frame of the film feels meticulously composed, a testament to Eggers’ commitment to his craft.

“Dirty Angels” is an uneven action flick

The film opens by introducing us to an American soldier named Jake (Green), who is seconds away from being executed while on her latest top-secret mission. While Jake is rescued, her team ends up losing their lives, adding to Jake’s PTSD. A few years later, during the U.S. withdrawal from Afghanistan, a group of schoolgirls was taken hostage in Afghanistan. Jake’s old boss, Travis (Christopher Backus), recruits her to join an all-women commando unit to liberate them.

A pitch perfect Timothée Chalamet elevates cliché filled “A Complete Unknown”

Mangold sets the film in the influential New York music scene of the early 1960s and centers on a 19-year-old musician from Minnesota named Bob Dylan, portrayed by Timothée Chalamet. It follows Dylan’s meteoric rise as a folk singer to concert halls and the top of the charts, as his songs and charisma become a worldwide sensation. The narrative culminates in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers