“Soul Patrol” uncovers a chapter of American military history that has been overlooked, not by time, but by inconvenience. Through the experiences of the first Black special operations team during the Vietnam War, the documentary revisits this complex period from deep behind various lines—geographic, political, and cultural. It poses a deceptively simple question: What does it mean to fight for a country that is still fighting against you?
Director J.M. Harper frames the film around the memories of Ed Emanuel, whose story serves as the emotional and moral core of the narrative. As a teenager, Emanuel joins the military, filled with the awe of someone experiencing the world for the first time. However, this innocence is shattered when a flight captain announces the assassination of Bobby Kennedy.
In that moment, Emanuel realizes that while he is being sent abroad to defend American interests, the struggle for Black dignity and civil rights back home is reaching a critical point. This leads to the poignant question that lingers throughout the film: What am I doing in Saigon? Harper skillfully constructs the documentary, blending archival footage, reenactments, and firsthand testimonies into a narrative that challenges military myths.
This is not a film focused on stoic heroism or sanitized patriotism; instead, it examines the psychological toll of being labeled a “soul brother” in a conflict that demanded loyalty without reciprocation. “Soul Patrol” emphasizes that representation alone is insufficient; context is crucial. These men were not just soldiers; they were Black men grappling with identity, duty, and contradiction in a foreign land while their own country remained unresolved.
The film’s emotional depth is especially evident when Emanuel reunites with his former teammates. These scenes are understated yet powerful, filled with long pauses and meaningful glances that reflect shared memories. Here, healing is not about cinematic catharsis; it is about acknowledgment. Harper grants the men space to express feelings of shame, isolation, and pride without forcing a resolution.
Ultimately, “Soul Patrol” succeeds because it restores humanity to a story flattened by imperial narratives and military bravado. It does not seek absolution or applause; rather, it desires to be remembered—and, more importantly, understood.
Final Grade: A
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.