Finnish filmmaker Jalmari Helander returns to the blood-soaked frontier he established in the surprise cult hit “Sisu”, and this time, he brings even more firepower, fury, and ferocity. “Sisu: Road to Revenge” is anything but subtle or sensible, and it shows no interest in reinventing the wheel—because it is too busy running that wheel directly over anyone who stands between Aatami and his quest for peace. And honestly, that’s the point.
The sequel wastes no time raising the stakes. Aatami, once again portrayed with rugged charisma by Jorma Tommila, is “the man who refuses to die” in every sense. We pick up exactly where the first film left off, with Aatami returning to the home where his family met their tragic fate. Instead of mourning, he dismantles the house board by board, loads it onto a truck, and heads out with grim determination to rebuild their legacy far away from war’s lingering ghosts.
However, peace is not in the cards. Richard Brake, whose career has become a master class in portraying menacing figures, steps in as a relentless officer seeking retribution for the bodies Aatami left behind. His solution? To negotiate the early release of Igor, a Red Army commander with unfinished business with Aatami.
Stephen Lang takes on the role as if he has been awaiting this villainous part his whole career, clearly enjoying himself. Every glare, every gravel-voiced threat, every explosion he walks away from feels like a small cinematic gift.
From there, the film evolves into a brutal, cross-country chess match played with bullets, blades, dynamite, and anything else Helander can conjure. Each kill is more inventive than the last, as the film embraces the mindless-action trope with a wink and a snarl.
Yet beneath the carnage, Aatami carries himself like a Nordic echo of “The Man With No Name”—a mythic drifter defined less by dialogue and more by the trail of destruction behind him.
“Road to Revenge” doesn’t so much deepen the mythology as amplify it. But when the action hits this hard and the filmmaking is this confidently unhinged, depth becomes optional. Helander promised a bigger, meaner sequel—and he delivers.
Sometimes, a good revenge story doesn’t need refinement. It demands grit, momentum, and a hero who refuses to stay dead. “Sisu: Road to Revenge” offers all three in abundance.
Final Grade: A
“Sisu: Road to Revenge” opens in theaters tomorrow.
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.