Colin Hanks travels to “The Great White North” to pay tribute to one of their comedic legends in his third directorial effort, “John Candy: I Like Me,” which will be available on Prime Video. Canadian actor Ryan Reynolds joins Candy’s widow and children as producers of the documentary.
When Mr. Candy passed away, I was twelve years old, and I remember reading an article about his upcoming film, “Wagons East,” in a copy of Entertainment Weekly. On my way to school that day, I told my classmates that John Candy had died, but no one believed me until a teacher confirmed it. That said, since I’ve become an adult and actually learning the genesis of comedy, losing Mr. Candy is still a loss felt thirty-one years later.
Hanks begins the documentary with footage from Candy’s funeral, and instantly, tears start to form. We then follow a traditional narrative route, exploring Candy’s early life and his rise to stardom as a member of SCTV. The documentary features engaging stories from former coworkers, including Martin Short, Catherine O’Hara, and Eugene Levy.
As it transitions into Candy’s Hollywood work, we hear stories from Tom Hanks, Steve Martin, and Macaulay Culkin. Martin shares a memorable anecdote about Candy’s dramatic monologue from “Planes, Trains & Automobiles,” while Culkin highlights Candy’s fierce protective nature during their time working together. As the documentary races toward its conclusion, which covers Candy’s ultimate passing, we learn some intriguing tidbits that were refreshing and enlightening.
For the most part, I was thoroughly engaged throughout the runtime. Hanks keeps the documentary straightforward, lasting a tight ninety-five minutes. However, I would have appreciated a deeper dive into some of Candy’s unrealized projects and his influence on Chris Farley. Nevertheless, “John Candy: I Like Me” effortlessly pays tribute to a talent gone too soon.
Final Grade: B+
“John Candy: I Like Me” is available to stream on Friday, October 10th, on Prime Video.
This week’s Second Listen Sunday pick takes us back to 2006 to revisit “So Amazin’,” the third album from Christina Milian. Arriving in stores on April 19 of that year, the project was produced largely by Cool & Dre, sans one song, and saw the singer earn writing credits on nine of the album’s songs.
For this week’s Slow Jam Saturday, I want to showcase love for Rahsaan Patterson and his album track “Can We Wait a Minute” from his self-titled debut album, released in 1997.
For this week’s Second Listen Sunday, I wanted to take a trip back to 2000 and show some love to the R&B duo K-Ci & JoJo and their third album, “X,” which was released in stores on December 5, just in time for a holiday stocking stuffer. Arguably, the group suffered from the sophomore slump with their second album, as only two singles were successful.