The late esteemed producer Norman Lear has collaborated with Prime Video to present one of his final productions, the series “Clean Slate.” Developed by Dan Ewan, this series is set in Alabama and comprises eight episodes, each lasting thirty minutes.
Henry (George Wallace), an old-school and outspoken car wash owner, is thrilled his estranged child is finally returning home to Alabama after 17 years. However, Henry has a lot of soul-searching to do when the child he thought was a son returns as the determined, proud trans woman Desiree (Laverne Cox).
As the duo takes steps to rebuild their relationship, they find invaluable support from several key individuals. Henry’s most trusted employee, Mack (portrayed by Jay Wilson), offers guidance and encouragement, along with his spirited daughter, Lulu (played by Jaelyn Buffkin), who brings a fresh perspective to their journey.
Desiree’s best friend, Louis (D.K. Uzoukwu), also stands by her side, providing unwavering loyalty and friendship. At the same time, his caring mother, Ella (Telma Hopkins), adds wisdom and warmth. Together with these supportive figures, the community rallies around the couple, creating a network of encouragement and understanding that helps them navigate the challenges of their relationship.
Growing up in the eighties, whenever I heard the name Norman Lear, I always expected to laugh while exploring political and social themes. That said, it’s unsurprising that his newest show features a trans character. When I first heard about the production for “Clean Slate,” I assumed that the show would focus on Henry being an Archie Bunker type who doesn’t accept change.
In a surprising twist, the show skillfully sidesteps clichéd tropes, presenting Henry as readily accepting of Desiree from the start. This dynamic doesn’t imply that their relationship is without challenges; they encounter significant pitfalls. However, instead of relying on predictable humor, the writers craft a narrative that feels organic and authentic, allowing the characters’ growth to unfold naturally.
The chemistry between Wallac and Cox is palpable. They expertly bounce jokes off one another while immersing themselves in their respective roles with remarkable depth. Their performances resonate with audiences, creating a captivating atmosphere. Meanwhile, the supporting cast delivers strong performances, reflecting the high standards one would expect from a Norman Lear production. “Clean Slate” unmistakably centers around the talents of Wallace and Cox, and the ensemble cast acknowledges and honors that dynamic with their contributions.
Featuring the right mix of comedy and avoiding pushing an agenda, “Clean Slate” is a stream worthy show.
Final Grade: B
“Clean Slate” premieres on Prime Video on February 6th.
