Director Jeremey Sauliner has partnered with Netflix for his fifth directorial venture, “Rebel Ridge,” for which he also wrote the screenplay. The plot follows Marine veteran Terry Richmond, portrayed by Aaron Pierre, as he arrives in the town of Shelby Springs to post bail for his cousin to avert impending peril.
However, Terry’s financial assets are unjustly confiscated by law enforcement, leading to a clash with local police Chief Sandy Burnne, played by Don Johnson, and his well-prepared officers. Terry’s character undergoes a significant development as he forms an unexpected alliance with court clerk Summer McBride, portrayed by AnnaSophia Robb. Together, they unravel an entrenched conspiracy within the secluded township. The stakes are high as Terry draws upon his enigmatic background to challenge the department’s influence on the community, seek redress for his family, and safeguard Summer.
Jeremy Saulnier won me over with his debut, “Murder Party,” which he filmed with no money. His subsequent films, “Green Room,” “Blue Ruin,” and “Hold The Dark,” were equally impressive. With his latest venture, “Rebel Ridge, “Saulnier continues to captivate audiences, particularly since rising talent Aaron Pierre toplines it.
One of the first things I want potential viewers to know about “Rebel Ridge” is that the film isn’t a non-stop action fest. Cinephiles who know Sauliner’s style will think they will appreciate the route he takes. If you’ve seen the trailer, you will know Terry’s introduction. Early on, it’s clear that Pierre wants to portray Terry as a man who wants to use violence as a last resort, but when pushed, he will react. The first moment we see Terry in action is well worth the wait, and Pierre is natural when engaging in believable hand-to-hand combat.
Additionally, Pierre brings an everyman approach to Terry that makes the character worth rooting for. The supporting cast, primarily headed by AnnaSophia Robb, who has made a great transition from her child star days, adds depth and complexity to the story. Don Johnson, always enjoyable, makes for a wonderfully slimy lead villain. David Denman, Emory Cohen, Steve Zissis, Zsané Jhé, Dana Lee, and James Cromwell also show supporting roles, each bringing their unique talents to the film.
“Rebel Ridge” kept my attention for the most part; however, there were a few minor gripes. Given the film’s run time, I could have used more action scenes to flashback to Terry learning his skills. Furthermore, the third act has a weak arc for a character that viewers will know when they see it.
Nevertheless, with a star-making turn from Aaron Pierre and solidifying Jeremy Sauliner’s directorial talent, “Rebel Ridge” is worth the stream.
Final Grade: B
“Rebel Ridge” is available to stream on Netflix this Friday.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.