The iconic band Queen were provided their flowers when tribute band 33 1/3 Killer QUEEN Experience took the stage at The Birchmere Music Hall in Alexandria, VA, on Saturday, September 18th. I had seen another Queen Tribute band in the past, and furthermore, my son is a massive fan of Queen, so our attendance at the show was necessary.
33 1/3 Killer Queen Experience opened the show with “Fat Bottom Girls.” The group’s lead vocalist Justin Gonzalez was in pristine form with his vocals. One of the most enjoyable things about Gonzalez’s performance was that he never tried to sing like Freddie Mercury, and instead, he made the songs his own while being backed by his live band. Throughout a ninety-minute set, the 33 1/3 Killer QUEEN Experience hit all of the songs you would want to hear during a Queen experience.
I would also like to give the band credit for not just doing a Hits show and introducing my family and I to some Queen songs that I wasn’t familiar with, such as “Hammer To Fall,” “Keep Yourself Alive,” and “Prophet’s Song.” One of the evening’s best moments occurred when Tony (a group roadie) took the stage to perform “We Will Rock You.” Now, if you are curious about what made this so special, Tony is only ten years old.
If I had one gripe with the show it would be that my favorite song by Queen, “Princes of the Universe,” wasn’t on the setlist. However, the band’s energy, musicianship, and family-friendly entertainment more than made up for the omission.
Final Grade: B+
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.