Train to Busan Presents: Peninsula
Picture of Derrick Dunn

Derrick Dunn

Mindless fun entertainment in Train to Busan Presents: Peninsula

2016 zombie action horror hit, Train to Busan receives a standalone sequel in Train to Busan Presents: Peninsula from Well Go USA. Yeon Sang-ho returns to the director’s chair for the sequel as does script scribe Joo-Suk Pak. Firstly, I want to point out that none of the original film characters make an appearance in the sequel, so if you are hoping to learn the fates of the characters Su-an and Seong-kyeong, prepare yourself for an upset.

Instead, Train to Busan Presents: Peninsula takes place four years after the zombie outbreak in Train to Busan. The Korean peninsula is devastated and follows Jung Seok (Dong-Won Gang). Train to Busan Presents: Peninsula opens with Jung Seok attempting to get his family to safety. Naturally, tragedy strikes, and one of Jung Seok’s family becomes infected.

Four years later, the guilt-ridden and former soldier is still on good terms with his brother in law Chul-min (Kim Do-yoon). Soon,Jung Seook is given a mission to go back to Incheon. Journeying to the quarantined peninsula and retrieve an abandoned food truck that contains bags of cash totaling US$20 million, he unexpectedly meets survivors.

Zombie flicks are either a hit or miss; however, Train to Busan changed the game with its premise. For argument’s sake, director Yeon Sang-ho could have easily set the sequel on another train in a different part of Korea. On the contrary, the director and his writer Joo-Suk Pak up the ante with death-defying stunts, great CGI zombie makeup, and excellent car chases.

While the film is subtitled, the plot is pretty easy to follow, and you’ll be engrossed in the action that the subtitles won’t throw you off. Suppose you’re expecting a rehash of the first. In that case, you’ll be sorely disappointed, and some viewers may find fault with the almost video game approach. Remember the two keys rules of a sequel as established by Randy Meeks in Scream 2. Number 1, the body count is always bigger, and Number 2 makes the death scenes much more elaborate. In that regard, Train to Busan Presents: Peninsula delivers the goods.

Horror movie purists are sure to find fault with the plot device of using humans as opposed to zombies as the primary villain. Movie buffs may have an issue with Jung Seok plot armor as well as the only real character giving an arc. I’m also quite sure that the remote control car scene (you’ll know it when you see it) is going to become a Meme soon. 

More Mad Max than Day of the Dead, Train to Busan Presents: Peninsula is a simple fun ride. Violence, K-Pop songs, and impressive camera work, Train to Busan Presents: Peninsula is recommended for fans of the first film and foreign cinema fans.

Final Grade: B-

Movie Clappers

More to explorer

Black Boy Joy illuminates the delightful We Grown Now

Filmmaker Minhal Baig takes audiences to Windy City for her third directorial effort in “We Grown Now” from Sony Pictures Classics. Baig also pens the screenplay, which is set in 1992. In the vibrant heart of Chicago’s Cabrini-Green, two inseparable pals, Malik (played by Blake Cameron Jones) and Eric (portrayed by Gian Knight Ramirez), transform their bustling neighborhood into a playground of dreams.

Cash Out ends up in the red

John Travolta returns to the world of bank robbing in “Cash Out” from Saban Films. Ives directs the film from a screenplay by Dipo Oseni and Doug Richardson. Mason (Travolta) is the leader of a high-end crew of thieves that includes his girlfriend Amelia (Kristin Davis), his younger brother Shawn (Lukas Haas), Anton (Quavo), Link (Nataku Yura), and Hector (Noel Gugliemi). Mason decides to hang it up for good after a double-cross from Amelia, who is undercover, spells a near-miss with the law.

The Ministry of Ungentlemanly Warfare mixes action and comedy

Acclaimed director Guy Ritchie continues churning content as his latest film, “The Ministry of Ungentlemanly Warfare” from Lionsgate, hits theaters. Ritchie, along with Paul Tamasy, Eric Johnson, and Arash Amel, co-writes the screenplay, which is an adaptation of Damien Lewis’ book “The Ministry of Ungentlemanly Warfare: How Churchill’s Secret Warriors Set Europe Ablaze and Gave Birth to Modern Black Ops.”

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers